CONTENTS

COMPARATIVE STUDIES

Seyranyan L.B., Soghoyan A.V. The ontological formula for eternal renewal of life in the Armenian fairy tale Barekendan and the singing game Tsapik, Tsapik, Tsirani // Imagology and Comparative Studies. 2024. № 21. DOI: 10.17223/24099554/21/1

Popova T.G. Inscriptions to the miniatures of The Penitential Canon and their sources in The Ladder of Divine Ascent by John Climacus // Imagology and Comparative Studies. 2024. № 21. DOI: 10.17223/24099554/21/2

Zelezinskaya N.S. The aesthetic function of the motif of suicide in Shakespeare’s early poetics // Imagology and Comparative Studies. 2024. № 21. DOI: 10.17223/24099554/21/3

Poplavskaya I.A., Uryadova M.P. The problem of studying and translating multilingual texts: Shakespeare’s tragedy Hamletfrom Counts Stroganoffs’ book collection in the Research Library of Tomsk University // Imagology and Comparative Studies. 2024. № 21. DOI: 10.17223/24099554/21/4

Hamza M. The emergence of conditional theater and its implications for the theatrical scenery (scenic design – the structure of the play and mise-en-scène – costume design) // Imagology and Comparative Studies. 2024. № 21. DOI: 10.17223/24099554/21/5

Serdechnaia V.V., Zhatkin D.N. Vadim Shershenevich as a translator of Shakespeare’s Romeo and Juliet: The formation of a translation method // Imagology and Comparative Studies. 2024. № 21. DOI: 10.17223/24099554/21/6

Vakili Robati K. Poetry of epiphany: A comparative analysis of James Wright’s and Sohrab Sepehri’s poems // Imagology and Comparative Studies. 2024. № 21. DOI: 10.17223/24099554/21/7

Wu Wanying. Problems of studying the oeuvre and translations of Vasily Zhukovsky’s lyrics in China: The 1990s // Imagology and Comparative Studies. 2024. № 21. DOI: 10.17223/24099554/21/8

Avtukhovich T.Je. “Ode on a Grecian Urn” by John Keats and its reflections in Russian poetry of the 20th and 21st centuries // Imagology and Comparative Studies. 2024. № 21. DOI: 10.17223/24099554/21/9

IMAGOLOGY

Kiselev V.S. Vasily Zhukovsky’s works in the reception of literary criticism of the first half of the 19th century: To the problem statement // Imagology and Comparative Studies. 2024. № 21. DOI: 10.17223/24099554/21/10

Sarbash L.N. The Muslim world in the Volga travelogue of the 19th century // Imagology and Comparative Studies. 2024. № 21. DOI: 10.17223/24099554/21/11

Bogoderova A.A. China on the pages of Elizar Magaram’s almanacs // Imagology and Comparative Studies. 2024. № 21. DOI: 10.17223/24099554/21/12

Riabov O.V. “From America with love”? Love stories and the “Iron Curtain” in the Soviet Thaw cinema // Imagology and Comparative Studies. 2024. № 21. DOI: 10.17223/24099554/21/13

Xu Shuang. The “Chinese” in the titles of the poems of Vladimir Kucheryavkin // Imagology and Comparative Studies. 2024. № 21. DOI: 10.17223/24099554/21/14

Tretyakov E.O. At home among strangers: The national in Pavel Chukhrai’s The Russian Game filmed “based on the play The Gamblers by Nikolai Gogol” // Imagology and Comparative Studies. 2024. № 21. DOI: 10.17223/24099554/21/15

REVIEWS

Krylov V.N. A new study of the cultural dialogue of Oscar Wilde and Russia (Book review: Kuznetsova, E.V. (ed.) (2023) O. Uayl’d i Rossiya: problemy poetiki i retseptsii [O. Wilde and Russia: Issues of poetics and reception]. Moscow: IWL RAS)// Imagology and Comparative Studies. 2024. № 21. DOI: 10.17223/24099554/21/16

Kiselev V.S. Captivated by the ballad (Book review: Anisimov, K.V. & Anisimova, E.E. (2023) Ocherki teorii i istorii russkoy ballady. Zhanrologicheskoe issledovanie [Essays on the theory and history of Russian ballads. Genre research]. Krasnoyarsk: Siberian Federal University) // Imagology and Comparative Studies. 2024. № 21. DOI: 10.17223/24099554/21/17