CONTENTS

COMPARATIVE STUDIES

Bejanyan K.H., Karagyozyan G.L. The motif of the king, cursed by the fairy and the sparrow-hawk: A comparative analysis // Imagology and Comparative Studies. 2024. № 22. DOI: 10.17223/24099554/22/1

Philippova D.K. Shakespeare in the Russian literature 1748-1810: From adaptation to translation // Imagology and Comparative Studies. 2024. № 22. DOI: 10.17223/24099554/22/2

Kotaridi Yu.G. E.T.A. Hoffman’s Little Zaсhes: The Neoplatonic origins of the spatial model // Imagology and Comparative Studies. 2024. № 22. DOI: 10.17223/24099554/22/3

Misnikevich T.V. “Verlaine himself spoke in Russian verse”: “A measure of accuracy” in Fyodor Sologub’s translations // Imagology and Comparative Studies. 2024. № 22. DOI: 10.17223/24099554/22/4

Andreeva Ya.E., Marshaniya K.M. Literary felinistics: East–West (Cat Country by Lao She and Old Possum’s Book of Practical Cats by Thomas Stearns Eliot) // Imagology and Comparative Studies. 2024. № 22. DOI: 10.17223/24099554/22/5

Koroleva S.B. Maurice Baring and Alexander Pushkin: Translation and problems of the literary canon development // Imagology and Comparative Studies. 2024. № 22. DOI: 10.17223/24099554/22/6

Trakhtenberg L.A. Elsa Triolet’s In Tahiti: The Russian source and the French self-translation // Imagology and Comparative Studies. 2024. № 22. DOI: 10.17223/24099554/22/7

Tsvetkova M.V. Film adaptation as a phenomenon of intersemiotic translation. A case study of two film versions of Shakespeare’s Hamlet // Imagology and Comparative Studies. 2024. № 22. DOI: 10.17223/24099554/22/8

IMAGOLOGY

Papilova E.V. Categorical apparatus of imagology // Imagology and Comparative Studies. 2024. № 22. DOI: 10.17223/24099554/22/9

Kiselev V.S., Kropotov D.A., Pronina N.M. Siamese network, machine attribution of the handwriting and unknown Zhukovsky // Imagology and Comparative Studies. 2024. № 22. DOI: 10.17223/24099554/22/10

Zhdanov S.S. “Poetic Little Russia”: Ukrainian spatial imagery in the travelogue Travel letters from England, Germany and France by Nikolai Gretsch // Imagology and Comparative Studies. 2024. № 22. DOI: 10.17223/24099554/22/11

Malinov A.V. “Carthage of Modernity”. The image of America in Vladimir Lamansky’s the civilization concept // Imagology and Comparative Studies. 2024. № 22. DOI: 10.17223/24099554/22/12

Botteschi C. An earthly paradise: Naples in the accounts of Russian travellers at the turn of the 20th century // Imagology and Comparative Studies. 2024. № 22. DOI: 10.17223/24099554/22/13

Sukhikh E.V. The cinematic image of Mexico in the film Que Viva Mexico! by Sergei Eisenstein // Imagology and Comparative Studies. 2024. № 22. DOI: 10.17223/24099554/22/14

Razumovskaya A.G. “They all speak about the same”: Rachmaninov in the eyes of writers // Imagology and Comparative Studies. 2024. № 22. DOI: 10.17223/24099554/22/15

Kondratyeva O.N. The image of Napoleon Bonaparte as a source for constructing media images of modern politicians (based on the material of Russian media) // Imagology and Comparative Studies. 2024. № 22. DOI: 10.17223/24099554/22/16

REVIEWS

Kozlov A.E. «When will nations forget about the struggle…» (Book review: Lappo, M.A. & Maroshi, V.V. (eds) «Cherez chuzhoe k svoemu»: dialog russkoy i vengerskoy kul’tur [«Through someone else’s to one’s own»: A dialogue between Russian and Hungarian cultures]. Novosibirsk: Novosibirsk State Pedagogical University) // Imagology and Comparative Studies. 2024. № 22. DOI: 10.17223/24099554/22/17