Hey, what's your name?": anthroponymics in the language picture of the world of Jim Morrison | Language and Culture. 2016. № 2(8). DOI: 10.17223/24109266/8/10

Hey, what's your name?": anthroponymics in the language picture of the world of Jim Morrison

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Keywords

language picture of world, cognitive and typological reconstruction, symbolism of name, anthroponyms, Jim Morrison, The Doors

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borshariff@gmail.com
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References

Sharifullin, B.Ya. (2015). "Five to one, one in five": The number images in the language picture of the world of Jim Morrison. Language and Culture. 3 (31). pp. 55-70.
Sharifullin, B.Ya. (2016). "Woman" in poetic discourse of Jim Morrison. The man and the language in communication and text. 7 (18). Krasnoyarsk: SFU. pp. 215-222.
Fevraleva, E.A. and Sharifullin, B.Ya. (2010). The Image of the Door in language picture of world of Jim Morrison' rock poetry. Interaction of the language and culture in communication and text. 10. Krasnoyarsk: SFU. pp. 115-119.
Sharifullin, B.Ya. (2014). The language picture of the world of "The Beatles": the cogni tive and typological reconstruction. Saarbrucken: Lambert Academic Publishing. 216 p.
Fevraleva, E.A. (2010). The Image of the Ship and the Sea (the Way) in language picture of world of Jim Morrison. Student and scientific-technical progress: proceedings of XLVIII International scientific conference of graduate and undergraduate students (10-14 April 2010, Novosibirsk State University). Novosibirsk: NSU publishing house. pp.74-75.
Sharifullin, B.Ya. (2009). The proper name as a linguo-cultural symbol (on the material of texts of Britain rock poetry. The theoretical and applicative problems of modern philology. 9. Krasnoyarsk: SFU. pp. 121-127.
Hougen, P. (1994). The complex guide to the music of the Doors. Omnibus Press, 112 p.
Rybakin, A.I. (1984). The dictionary of English surnames. Moscow: Russian language. 576 p.
 Hey, what's your name?

Hey, what's your name?": anthroponymics in the language picture of the world of Jim Morrison | Language and Culture. 2016. № 2(8). DOI: 10.17223/24109266/8/10

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