Psychological motivation as basis of creation of an opera image by the singer

This article deals with the operatic image created by the singer, not simply as an external object, but as the result of the internal perception of this image by his performer. The singer in the process of performance is promoted as a multimodal synthetic audiovisual embodiment of the image for the viewer's perception. From the interpretation of the singer and the choice of the character's internal psychological motivation depends, what will this character eventually be like, and how will others perceive him.

Keywords

Authors

References