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Shaidulina Maria V. «Cyberpunk in Japanese cinema: specific thematic interpretation, artistic and imaginative solutions» // Tomsk State University Journal of Cultural Studies and Art History 2016. №1(21) C.74-82
Ogudov Sergey Aleksandrovich «The principles of N. V. Gogol’s grotesque composition in Y.N. Tynyanov’s script and film «The Overcoat»» // Siberian Journal of Philology 2014. №2 C.90-97
Rodin K.A. «Free indirect effect of the cinema» // 2011. №4 (16) C.116-123
Serbin Vsevolod A. «Problems of semiotic interpretation of a meaning in the cinema» // Tomsk State University Journal of Philosophy, Sociology and Political Science 2014. №4(28) C.202-210
Roman Sergei N. «The movie “M” (1931) by Fritz Lang in the context of the scientific, social and cultural life of Germany in the 20-30 - ies of the twentieth century» // Tomsk State University Journal of Cultural Studies and Art History 2022. №47 C.204-216
Sharov Konstantin S. «The Neoimperial Motif in Russian Historical Movies of the 2000s-2010s and the Phenomenon of Orthodox Cinematographic Sermon» // Imagology and Comparative Studies 2021. №16 C.269-291
Pronin Alexander A. «Dziga Vertov: From “I Hear” to “I See”» // Tomsk State University Journal of Philology 2020. №63 C.282-291