On the character of the convertion of the wreath of sonnet in the poetry at the turn of the 21st century

The paper investigates the transformation of the wreath of sonnet genre form in the poetic practice of Russian and Russian-language Kazakhstan poets. According to the author of the paper the conventional image of the sonnet is now on the verge of disintegration and selfintegration, corresponds to the discourse of Post-Modern culture «World as Chaos», that explains an increased interest of contemporary authors both to the sonnet and to all hard sonet forms. The type of the modern garland of sonnets testifies to the effectiveness of two-way harmonic interest in the retention and in the overcoming of the tradition. Using the method of the cluster analysis of texts the author proves that all levels of the genre organization of the wreath of sonnets are subject to transformation (title, subject, associative, spatio-temporal, lexical), but the overcoming of the formal canon becomes of particular significance. The change in quantity and quality of interaction of sonnets in «the wreath» strengthens the status of a sonnet as one of the most claimed genres of the current literary epoch.

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