Theatre interactive as a model of modern culture communication

One phenomenon of today's art culture which can be characterized as a gradual transformation of traditional forms of influence in art space and introduce new forms of culture communication is considered in this article. New methods of interaction of the spectator and art come to replace other communications. It is natural that one new type of culture gives birth to a new type of communication. There are some forms of communication (communicative, perceptive and interactive) as a result of communicational transformations. An interactive level of communication which takes into account personal characteristics is considered in the article. Today's culture is over saturated with ''short time'' forms and models of reality. It forms a broad spectrum of understanding of human nature, his activity and meaning of the creative work. There are new forms of communication, interactive, for example. The main peculiarity of speech culture in interactive situation is the use of colloquial style. Artistic performances do not always correspond to the criteria of modern art thus losing topicality and public interest. Modern people adapt to this situation, and one-sided communication with art does not satisfy them, so there is a problem of searching of new forms and directions which will allow creating art products not only by producers and actors, but by spectators as well. As modern performances do not meet the criteria of modern art, we are sure that this problem is connected with a lack of coincidence of modern theatre values and modern cultural communication. This problem is realized in frequent lack of coincidence of speech art devices of the theatre and characteristics of our reality. Some examples show that there is no conflict between the devices and modern reality or it is not very evident. We can see this situation in the theatre interactive as a rule. Such concepts as ''theatre communication", "interactive theatre'', "interactive", "communication model'' are considered here. Audience interest as an argument of the organic and adequate expressing of reality in art (theatre) communication is studied in the article. We choose some performances of capital and region theatres as examples, because they are a real display of the interactive of communication in modern culture, the interactive as a spirit of contemporaneity. The interest to performances with interactive elements is caused by their ability to discover an effective model of ''alive talk'', which gives a possibility to research the verbal part of the process of theatre communication.

Keywords

Authors

References