Sound born from numbers, cyber-theatre and computer-poetry: aesthetics of the random in cybernetic art of 1950-1960s
The author analyses history and aesthetics of 1950-60s cybernetic art that still have insufficient attention in cultural studies. The problem of controversial aesthetic claims of technological (over)determination (cybernetic computer control) and the search for objective accident (chaos, entropy) are discussed using the material of computer music, cyber-theatre and automatic poetry.
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Keywords
computer technology, culture, cybernetic art, modernism, культура, компьютерные технологии, модернизм, кибернетическое искусствоAuthors
| Name | Organization | |
| Galkin Dmitry V. | Tomsk State University | gdv_t@mail.ru |
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