Specificity of actor's existence at pre-verbal stage communication

The phenomenon of stage communication is considered and exposed to the analysis in thisarticle. The comprehension of deep processes of stage communication, the analysis of the latent mechanisms of perception, interactionand processing of the information accumulated in the actor's psychotechnics is carried out. In the structure of stage communication thepre-verbal stage communication stratum is allocated, besides the verbal and nonverbal levels of interaction. This level is the base ofactor's playing. Infection, suggestion, imitation and others are shown here. There is a direct exchange of mental non-articulated informationbetween actors at this level of communication. Non-sign mental influence on consciousness of the partner which can be recoded insigns already known to the subject is carried out and revealed further at the non-verbal and verbal levels. Arising on the pre-verbal stagecommunication level the interaction system is established; it functions only in a concrete process and is void for other acts of communication.The information apprehended on the pre-verbal stage communication level is included into the sphere of implicit knowledge. Stagecommunication on the pre-verbal level differs in continuum because deep mental mechanisms of empathy (projection / introjection, identification,emotional resonance, penetration, etc.) activate the private world of the person, its inwardness, including the deep layers and structuresof the psychical. In the given research acts of pre-verbal stage communication are considered during which the overliminal impulsespenetrate the consciousness. The information from the sphere of the unconscious is comprehended. By means of emotional resonance as amechanism of empathy leading to a resonance in the psychophysical system of the person, deep processes of one actor become perceived byhis/her partner in stage communication. The meaning of the transferred and perceived messages is shown at the non-verbal level as acts,intonations, gestures, sights and definitively comes to light at the verbal level of communication in words and phrases. The associativeimagerystrategy of information processing leads to generating the live, figurative, here and now system of sensual signs-symbols. Theforce of influence in the course of mental communications directly depends on the intensity of internal experiences of the actor and perceptionsubtlety. The professional culture of the actor, his/her continuous internal work, and spiritual activity influence on the character of perceptionand interaction on the pre-verbal stage communication.

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