Postmodern music and sound basis of cultural landscape interpretation

The author addresses the problem of inexpressible meanings using a synergisticapproach to the analysis of reality. The inexpressible may become a source of an immense diversity of interspecific interactions of art.Rhizomorphism, being one of the characteristics of the nature of human thought, forms symbioses (folds) of art, which create the basisfor its broadcast properties in other areas of culture. Music demonstrates the universal laws most clearly, so music and sound approachto the interpretation of the cultural landscape seems a topical, but understudied area of scientific knowledge of today. As a result ofstudy, the cultural landscape of an area appears as a mobile model generating pure forms. Real space acts as a shell, which canaccommodate different, smaller and more capacious space, existing in its own time. The spatial and temporal rhythm of a geographicallocation, individual cities, forests, grasslands, etc. is packed differently, which can create a virtual ornamental set(s), both big (country,province, territory) and small (elements of urban environment). This will allow to fix new sides, essences of usual phenomena, suggestnew ideas in the philosophy of art and cultural landscape, and in studying the relations of art and culture in general. Music and soundvirtual model of the cultural landscape actualizes the spiritual component of human nature and, simultaneously, provides a furtherdevelopment in the feedback. Cultural landscape, losing its former fixed structural framework, becomes a permanent area of generatingvarious meanings of moving, creating, in turn, the conditions for the development of an active, creative, philosophical position of ahuman in relation to the surrounding culture. This area can have great opportunities of research and practical significance. Starting withthe modeling of music and sound image of a location in the future you can get images of cities, regions and countries. Their comparisonis likely to lead to the identification of the specific and the universal of culture, ethnic background and, consequently, increase the levelof patriotism, ecology of culture and cultural heritage. Comparison of the art-associative (musical sound) version of the culturallandscape with its other forms can lead to a set of integrated and interdisciplinary research.

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