Bychkova Alina Yu. «The image of the nose as a body part in works by N.V. Gogol and in Western European literature» // 2013. №372 C.13-18
Zavgorodnii Aleksei M. «Reception of N.V. Gogol's Dead Souls in France: between the two world wars of the 20th century» // Tomsk State University Journal 2018. №426 C.14-26
Bychkova Alina Yu «Retrospectives and perspectives of the Gogol's rhinology» // 2009. №324 C.16-17
Zavgorodnii Aleksei M. «French reception of Gogol's Dead Souls: the Second World War - the beginning of the 21st century» // Tomsk State University Journal 2018. №428 C.17-28
Frick Tatyana B. «N.V. Gogol's, P.A.Vyazemskiy's, V.F. Odoevskiy's texts as ideological centres of Pushkin's journal Sovremennik» // 2010. №336 C.19-25
Tretyakov Yevgeniy О. «Space of light in the novel Rome by N.V. Gogol» // 2012. №354 C.31-34
Tretyakov Yevgeniy O. «Philosophy and poetics of the four elements in the poem ''Ganz Kyuhelgarten'' by N.V. Gogol» // 2013. №372 C.49-52
Ogudov Sergey A. «Diegesis and grotesque: the film adaptation of The Overcoat by Yu.N. Tynyanov» // Tomsk State University Journal 2015. №401 C.63-68
Pecherskaya T. I. «Playing Gogol: pastiche as a narrative code (Dostoevsky’s novel “The Double”)» // Siberian Journal of Philology 2019. №4 C.74-87
Alekseev Pavel V. «Chinese Introduction to A Writer’s Diary by Fyodor Dostoevsky» // Tomsk State University Journal of Philology 2017. №49 C.98-112
Panova O.B., Kaygorodtseva Yu.B. «Word and language ethics in the late works of N.V. Gogol based on the "Selective passages from correspondnce with friends")» // Language and Culture 2018. №41 C.102-124
Alekseev Pavel V. «The image of the Caliph in the historical sketch "Al-Ma'mun" by N.V Gogol» // Imagology and Comparative Studies 2014. №2 C.122-135
Stepnov Aleksey O., Fominykh Sergey F. «Honouring the memory of N.V. Gogol (in 1902 and 1909) and "Shevchenko's evenings" as political identity tools of Tomsk liberal professorate» // Rusin 2018. №4 (54) C.126-144
Mikhed Pavel V. «Gogol and Merimee: in the context of spiritual and aesthetic pursuit of the 1840s » // Imagology and Comparative Studies 2015. №2 (4) C.132-146