Chinese national picture nianhua - a phenomenon of culture of the XX centure | Tomsk State University Journal of Cultural Studies and Art History. 2021. № 41. DOI: 10.17223/22220836/41/10

Chinese national picture nianhua - a phenomenon of culture of the XX centure

Chinese folk painting nianhua (literal translation, “New Year's picture”) is a kind of Chinese graphic art, which received a wide popularity in the late XIX - early XX centuries. On the eve of the New Year in China everywhere decorated interiors of living rooms with colorful pictures containing New Year's greetings, they were pasted on windows, doors, gates. Decorative pictures had a utilitarian and cultic purpose: images of mythological characters and gods symbolized happiness, longevity, prosperity, protected from disasters and misfortunes. At the beginning of the 20th century, nianhua was produced in the woodcutting shops in a woodcut way, since the middle of the 20th century have been used modern technologies, including printing. New Year's paintings significantly different from national academic painting. The philosophical concept of New Year's painting was to reflect the spiritual life of the people, moral values, and artistic tastes. The images were built on the basis of folklore motifs, a rhythmic combination of bright colors created a decorative effect, so nianhua is a valuable material that demonstrates the aesthetic representations of the Chinese people, their folk traditions and symbols. The themes of the New Year's paintings are extremely diverse and includes the following: scenes from classical literature, religious and symbolic and benevolent drawings, genre art painting, calendars depicting 12 cyclic signs of animals, agricultural calendars and advertising pictures. During the history of its existence, the New Year's picture plays an important political and ideological role. Traditional paintings propagated the foundations of the orthodox Confucian ideology about social and ethical relationships, including hierarchy in the family and society: “Wu lun - the five principles of relationships”, “Xiao - filial piety”, “Ren - patience”. In the second half of the XX century, the New Year's picture is developing as an agitational poster. Under the influence of European painting and modern political processes in Chinese society, artists began to use a new artistic method - revolutionary realism on purpose to illuminate sociopolitical events, propagandize government tasks and resolutions. The basic principles of painting the New Year's picture are the decorative character (the brightness of colors, the rhythmic combination of color spots), the hyperbolism and idealization of images, the folklore basis of plots and the conventional symbolic-metaphoric language.

Download file
Counter downloads: 70

Keywords

New Year's picture nianhua, woodcut, chinese art, symbolic and benevolent image

Authors

NameOrganizationE-mail
Gultyaeva Galina S.Saint-Petersburg State University of Economicsgalina-gultyaeva@yandex.ru
Всего: 1

References

Алексеев В.М. Китайская народная картина: духовная жизнь старого Китая в народных изображениях. М. : Наука, 1966. 260 с.
王樹村 中国现代年画史叙要. 中国现代美术全集. 年画. 辽宁美术出版社. 深圳 1998, 2 卷. Ван Шуцунь. Краткая история современной китайской новогодней картины. Полное собрание современного изобразительного искусства Китая. Няньхуа : альбом : в 2 т. Шэньчжэнь : Ляонин мэйшу, 1998.
Алексеев В.М. Китайская народная картина няньхуа из собраний Государственного Эр-митажа : каталог выставки. СПб. : Славия, 2003. 287 с.
吕胜中。中国民间木刻版画。湖南。辽宁美术出版社, 1990 年。С. 18. Люй Шэнчжун. Ки-тайская народная гравюра. Хунань : Хунань мэйшу, 1990. 18 с.
Рифтин Б.Л. О китайском лубке и его русских собирателях // Редкие китайские народ-ные картины из советских собраний : альбом. Л. : Аврора ; Пекин : Народное искусство, 1991. С. 1-20.
Рудова М.Л. Китайская народная картинка. СПб. : Аврора, 2003. 65 с.
Муриан И.Ф. Китайский народный лубок. М. : Искусство, 1960. 122 с.
阿英。中国年画发展史略。朝花美术出版社。北京。1954 年. А Ин. Очерк по истории раз-вития китайской новогодней картины. Пекин : Чжаохуа мэйшу, 1954.
薄松年 中国年画艺术史 湖南 辽宁美术出版社, 1986. 年. Бо Суннянь. История китайской новогодней картины. Хунань : Хунань мэйшу, 1986.
Ван Шуцунь. К истории китайской новогодней картины // Редкие китайские народные картины из советских собраний: альбом. Ленинград : Аврора; Пекин : Народное искусство, 1991. С. 21-37.
Китайские новогодние картины. URL: http://www.chinanianhua.cn/ (дата обращения: 25.07.2018).
Гультяева Г.С. Китайская народная картина нянхуа XX века. Типология жанров и эво-люция : автореф. дис. … канд. искусств. СПб., 2007. 27 с.
Байкэ байду : справочная энциклопедия. URL: https://baike.baidu.com/item/五福七善/ 19167361 (дата обращения: 26.07.2018).
Гультяева Г.С. Китайская народная картина нянхуа XX века. Типология жанров и эво-люция : дис. … канд. искусств. СПб., 2007. 180 с.
Мао Цзэдун. Избранные произведения. М. : Изд-во иност. лит., 1953. Т. 4. С. 624.
Сычев В.Л. Изобразительное искусство в поисках путей обновления // Литература и искусство КНР 1976-1985 : сб. статей / отв. ред. В.Ф. Сорокин. М. : Наука, 1989. С. 163-195.
Хэ Шичжун. Новые няньхуа. Художники Китая. URL: http://mss.meishujia.cn/?act= app&appid=4096&mid=6463&p=view/ (дата обращения: 24.07.2018).
 Chinese national picture nianhua - a phenomenon of culture of the XX centure | Tomsk State University Journal of Cultural Studies and Art History. 2021. № 41. DOI: 10.17223/22220836/41/10

Chinese national picture nianhua - a phenomenon of culture of the XX centure | Tomsk State University Journal of Cultural Studies and Art History. 2021. № 41. DOI: 10.17223/22220836/41/10

Download full-text version
Counter downloads: 519