Digital converting of the analog recording of selkupsky tool folk tunes

Traditional instrument music of the small people of the Russian North even more often becomes object of studying and a source of inspiration of composers, arrangers and executors. In this connection requirements to quality of fixings and The notation national melodies and folk tunes have increased. If earlier quite satisfied the acoustical decodings executed «on memory» and «on hearing» the decodings executed even with application of audio and video of equipment now became a little comprehensible. In the average and higher specialized establishments which are engaged in music, a subject «Decoding and arrangement of national melodies» are included into a federal component of the State educational standard, and more and more a place in this subject occupy digital technologies. The detailed analysis of computer technologies used in Ethnosorganology, the independent theme which is not entering into priorities of small article, but for illumination of the declared theme is given the short characteristic of software on platform Windows. Folklore expedition always was a perspective direction of studying of traditional tool culture селькупского ethnos. In the course of field search photographing and record, as a rule, is conducted: the audio, having long-term approbation, and video which rather have recently appeared in an arsenal of the specialist in folklore-researcher. In article the short estimation is given to the software products developed for platform Windows. These are programs converters, musical and audio editors. The basic place is given the converters, allowing to translate to (convert) audio of record from a wave format (Wave) in digital (Midi). This direction of work with traditional musical culture for the present is a little used in educational process. On an example of the audio records executed by the author of article in the course of field search, the algorithm of converting of a Wave-signal in the musical interface is resulted. The conclusion becomes, that thanks to programs-converters there is a possibility essentially to expand creative sector of music education. Transfer of audiophiles in a midi-format and in the musical interface by means of converters yet does not give, further, final results and at the same options demand acoustical editing. Even extraneous signals inevitably get to the most perfect studio recording (natural and ethnogeny noise, moving of the respondent, etc.), therefore selection of a useful and noise signal while is impossible without an acoustical method. Nevertheless, practice shows, that the co-ordinated combination of computer technologies to a traditional acoustical method will essentially improve work with traditional musical culture of Selku-pand has considerable prospects in the academic educational sphere.

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