Relationship musical and literary poeticalness poem

Poemic genres in music appeared in the XIX century and quickly became widespread. Poemic pieces had been written by all famous composers born after 1800, thereby it is common to use the terms "Poem", "Poemic" in the musicological researches. Poemnity clearly suggests parallels with poem in literature. This aspect is often revealed in the analysis of imagine world of music poems by attracting literary analogies. This approach is working excellent in the program music, but there are many musical poem without program. If one initially look at the features of the literary poem through the lens of musicology, one should start from the view of the poem of B. Asafiev who represented it as lyrical changes of epic component in music and in literature too. This position is in certainly good agreement with the important features of the poem, which is shows by much literature researchers. This comprehension of the poem is more advanced by understanding of the mechanisms themselves, forming the bases of the genre, and is used in the literary allowing poemnity widely regarded, even outside of poetic texts. For example, J. Mann describes the romantic poem influence on the romantic prose and drama, by showing three important points, which are associated with a lyrical element. Obviously, the reason for this focus of researchers at the lyrical element is due to the fact that presence of narrative element in prose is obvious and does not require confirmation. On the contrary, for the music pieces, from non-synthetic genres, lyricism is a property that is closely connected with the basic features of the musical language. Narrative element is not directly derived from music properties, but it is also seemed to contradict them, requiring the much more imaginative clearly as the minimum. Thus, poemnity in music, described similar to poemnity in the literature as a way to combine the lyric and epic elements, still implies a very different features associated with the peculiarities of the musical language, which was originally focuses on lyricism. And it is difficult to overestimate the importance from music poemnity even the feeling of epic that music can create. However, in this case, the programnity also has place, but it is clearly different from the generally accepted interpretation of possibility that can be reflected in the concept of the «potential program». The impact of potential program on the development of musical images is not direct. It can be described by synergistic term «small resonance effects», which are increase some processes musical drama by resonant impact, and it can significantly affect the outcome shaped development. Therefore, in the immanent musical development one can start to see the influence of «images of the outside world», there appears narrative, epic, which is needed to poemnity.

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