Innovative early manifestations meter and rhythm origin the music for mixed ensembles Russian folk instruments (period 1960-2010)
This article discusses methods of modification of modern music for mixed ensemble of Russian folk instruments of the period of the 1960s - 2010s. One of the most visible manifestations of enrichment intonation system are diverse innovations in the field of expansion of the manifestations of the beginning of the metric. The first function of the variable size is the transfer of flexible plastic with translating broaching lyrical songs. The metric variables can be detected in the music for mixed ensemble of Russian folk instruments in the second half of the 1950s. In the works of the last decades of varying sizes it is becoming much more common phenomenon. It is able to emphasize here the breadth of breathing, the tendency to go beyond the uniformity metric pulsation. The second function of the variability of meter evident in the implementation epically-narrative genres of Russian folk music. Any «utterance» requires indispensable to go beyond the uniform metric grid. After an epic beginning, by definition, is an appeal to the timeless flow of existence, when «things of bygone days» suddenly come to life and become extremely close. The third function of variable size is manifested in the works of lyrical lively character. Variability here is akin to an unexpected «trick» the People's Action Party, or slyly playful girl's movement. In folk gatherings, each participant is always ready to surprise paradoxical train of thought trivial. And musically it is primarily manifested in overcoming the regularity of the metric pulse. The fourth function is related to the manifestation of meter and rhythm variability in music of dance character. In this case, with particular strength evident fiction, instigation and style peculiar to the participants of folk entertainment. The fifth function of the variability associated with accentual meter variation, when the motive is not the same tact in size and each time moved to a new beat of the measure, creating a special musical presentation quaintness. The sixth feature of variable size is a function of coloristic. The tendency to tie intricate - is that from time immemorial distinguished Russian national art in all its manifestations. We find it in the patterned Russian accordion tunes. If the meter - a uniform pulsation and regularity of its violation provides a number of incentives to the movement of the music, the rhythm of the music in the study area - these are the patterns that fit within the boundaries of a meter. But even when the meter steady, rhythmic quaintness is capable of performing the same function as that observed in the most variable meter. One of the manifestations of this intricate rhythmic accent may be a variation when the same sounds of music folk tune all the time moved to different proportions of stroke.
Keywords
метроритм, новации, музыка для смешанных ансамблей русских народных инструментов, смешанные ансамблирусских народных инструментов, metroritm, innovation, music for mixed ensembles of Russian folk instruments, mixed ensembles of Russian folk instrumentsAuthors
Name | Organization | |
Sharabarin Mikhail I. | Belgorod State Institute of Arts and Culture | mixailsharabarin@mail.ru |
References

Innovative early manifestations meter and rhythm origin the music for mixed ensembles Russian folk instruments (period 1960-2010) | Tomsk State University Journal of Cultural Studies and Art History. 2016. № 3 (23). DOI: 10.17223/22220836/23/17