Music-plastic method of development of musical thinking in the class of professor A. Pierce
Syncreticism inseparable connection between music and movement has no doubt long ago have received a comprehensive scientific justification. One of the main tasks of a performing musician is, as you know, the ability to deploy in front of the listener, the audio-visual idea that is hidden in standard music notation works. Therefore, the formation of the plastic feeling of music is an important performing as a professional musician and one of the primary tasks of modern music education. One of the great modern teachers successfully use active-motor method development of musical thinking, is Alexander Pearce, Professor of music and movement REDLA University in California.The proposed A. Pearce the methodology explains the expressiveness of both regular and irregular processes in musical works - as those are derived directly from the style, and those that strategically deflect the interpreter from such a direct reading. The teacher used traditional analysis but the interpretation of a musical work is born of her classroom as a result of the whole system heuristic and exercise like a tool, and without it. Exercises of A. Pearce give pierce the opportunity to realize from the point of view of the gesture, the relation between background and foreground configuration works kinesthetically and even to the development of musical phrases to interact with tonal and rhythmic forces. That offers A. Pierce is the heuristic used to study dynamic projection of expressive, expressive values, in combination with detailed analysis of complex musical material. Active-motor method development of musical thinking of the students of the performing faculties appear to be quite promising. Musical interpretation, thus, becomes more expressive, deep, version -more professional, intelligent. This allows to conclude about the feasibility of wider use of plastic methods in the system of musical education, especially that such experience is used in some countries of Western Europe, in America, partly in Russia.
Keywords
звукопластическая идея, «хореография» нотного текста, музыкальный жест, эвристика, sound-plastic idea "choreography" musical text, the musical gesture, a heuristicAuthors
Name | Organization | |
Arkhipova Margarita V. | Moscow State Institute of Culture | marg0-27@mail.ru |
References

Music-plastic method of development of musical thinking in the class of professor A. Pierce | Tomsk State University Journal of Cultural Studies and Art History. 2017. № 25. DOI: 10.17223/22220836/25/8