The Baroque epoch - the most important stage in the development of expressive intonation

Article peculiarities of active development of musical performing intonation in the Baroque era. The relevance of this work stems from the need to understand the process, reflecting the momentum funds expressiveness of musical art. Implementation of tasks demanded to refer to works by famous researchers: A. Kirhera, I. Kvanca, S. Marcus, M. Lobanova, O.I. Zakharova and other authors, providing a certain level of designated subjects. The use of theoretical material these authors has solved the main objective of the work is the presentation of factual material, reflecting the intonation-expressive music.The article highlights the special role theory affects, the increasing importance of tonality, as well as the acquisition of the status of autonomy instrumental performing in the musical art of the considered cultural and historic era. This fact has resulted in a dramatic change in the nature and content of the performance, which is reflected in the increased virtuosity, emotional saturation, an abundance of musical ornaments, freedom of improvisation, metric features notes inegales, performing style secon-da pratica (second form), and many others. The primary tools for intonation decision slushatel'skim perception management tasks become especially diversity of melody, intervalika, temporitmika. This contributed to a special classification of strastei, containing a wide range of purpose affects. One of the main tasks of the co-mpozitorov this time was not the aspiration to self-expression, not the transfer of the author of human emotions and thoughts, and active impact on the psyche of the listener, which provided birth were idealistic beliefs on what must be the man. This creative aspect of sblizhal aesthetic views of Baroque composers with philosophical disciplines of ancient thinkers. In the work of the ambivalent nature of the music is identified, which manifests itself, on the one hand, in an active enrichment, thanks to the expansion of the means of psychological impact on listeners (affects) and rhetorical figures. This process inevitably led to the release of music from the cult. On the other hand, while religious music updated secular features instrumental and dance genres, which generally provides a variety of expressive tools.

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