The Emotivny plan is a primary plot of the monoopera

The consciousness / the psychological world of a person is inclined to perceiving the surrounding reality by means of "projections", the images fixed somewhere. The art principle of psychological identification is based on "uniqueness" of consciousness of the person for his or her own inner world. The identification happens between the virtual consciousness (that of the character) and the perceiving consciousness (that of the addressee). The "projections" of the reality to an inner world act as a "common denominator" for both the only inner world of the character and the inner world of the addressee. As "projections" of the seen are identical - the inner worlds are completely involved in the process of identification (in real life distinction between positions concerning the same subject is based on the difference of "points of view" on the subject). There is an identification of psychological processes: psychological processes of the character, as well as images of the visible world to which they lead or from which proceed - "are initially set" in the literary text, so to say - in virtual reality; psychological processes of the addressee "complete" the virtual reality which is created in his imagination at the perception of intensions of the inner world of the character - up to the same images of the visible world which the literary text contains and, respectively, the inner world of the character does too. The principle of psychological identification is based on identity of images of the visible world in consciousnesses of the addressee and character and its topmost fullest embodiment is monoopera. The Emotivity functions in the monoopera as a paramount factor of psychological space of the character. The external phenomena and events forming directly readable plot of the work appear only as accompanying formations of primary semantic line - either an occasion, or a consequence of formation of these or those stages (stages) of primary line. Creating the emotive plan - primary plot of the monoopera - semantic and intra text characteristics of a concrete embodiment of a genre invariant come to compliance. Both the language layer of the monoopera, and the structural and dramaturgic organization of the text are involved in an embodiment of the emotive plan (semantic category). Everything, all the components of the genre appear in indissoluble unity which is only artificially is possible to divide for the research of the text. The unity mentioned above acts at all levels of primary plot of the monoopera, the emotive plan, at the levels of the emotive of the centers and each separate emotive (emotive spheres are more general and extra text, ideological and figurative categories).

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