System interpretation of stage communication

System representation of stage communication is carried out in substratum, functional, resource and gnoseological aspects. Consideration of stage communication in substratny aspect found out that culture translation directly depends on one of the major requirements - needs for communication. Investigating stage communication in functional aspect, we can note that during art communication there is a transformation of consciousness of the viewer and then there is an intension to realization of cultural installation and needs of the viewer for theatrical culture. Weobservehierarchy of levels of communication in resource aspect, when art intention as semantic determination finds the sign embodiment by means of theatrical coding which establishes horizontal and vertical connection between all levels of communication in form of contexts. “Roots” of art plan are in predicate area, the force of potential charge finds itself at before verbal level. Information of before verbal level is a part of implicit knowledge. It is revealed at nonverbal level as acts, intonations, gestures, views and finally comes to light at verbal level of communication in words and phrases. These means of actor expression are acquired in actor's psychotechniques which is a component of professional actorculture. Considering stage communication in gnoseological aspect, we note that translation of an art plan in semiotic aspect demands sign expression, fixing and its realization in stage images. Art information contains, besides obvious, essentially not articulated components, such as empathia and thinking experience. These signs of such communication aren't representative - they are presentational and existentially significant in art communication. It becomes clear that the empathy forms the central link connecting manifestation of special abilities and creative potential of the personality. The Empathia knowledge assumes forming of the dialogue based on understanding as “infeeling” and specific “over language” way of comprehension of reality of “Another person”, which opens informative opportunities, essentially inaccessible to touch and rational knowledge. All variety of cognitive abilities of the person is involved in processes of translation and assimilation of art information: corporal and perceptual, logical conceptual, emotional and affective, valuable and semantic. System representation gives the chance to define stage communication as multidimensional process, having revealed set of elements, communications and the structures providing its functioning as special type of systems.

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