Features of sign system as criterion of classification of art forms

The hypothesis approving the central value of an emotive component in art is stated in the article. The emotivity functions in each text as an emotive in any kind of art, storing the emotional message transferred by the producing consciousness to the perceiving one. Between the activity of the producing and perceiving consciousnesses centuries can lie - nobody knows and can't predict, how much time will pass from the creation of a work to its perception by a viewer / listener / reader. The means of expressiveness of any kind of art are understood as sign encryption systems of an emotive in the text of art by means of audialization, verbalization or visualization of an emotive. Being coordinated with the procedural factor, sign encryption systems of an emotive are subdivided into static and dynamic. Static art forms are those where an intermediary is not needed for perception of art by the addressee, for example, painting, literature; dynamic art forms such as music, dance and recitation need an intermediary on what performing mastery is based. In procedural art forms we see division expressed on a local emotive or long emotivitiness process. Classifications of art forms, as we know, there is a set; in our classification we are guided by emotional contents of the art text. The hypothesis suggested doesn't contain the division into mono - arts and synthesis of arts; the emphasis is placed on the ways of “encryptions” of an emotive in the text of art. Article doesn't contain concrete examples of an embodiment of an emotive. First, research is calculated on large-scale continuation; secondly, the statement of the main idea acted as the purpose of this article. Similar examples there can be almost uncountable quantity. We can address both to art history, and to a method of creative modeling in the matter. Anyway, analysis of examples - and existing, and assumed - we consider as one of considerable prospects of the planned hypothesis. The most important that makes novelty of research is the importance of an emotional component in contents of the art text. The art text is calculated on transfer of the emotional message, as is expressed in category of an emotivity. Information coordinates carry out the accompanying function, almost exclusively. Such supervision which are carried out both on known samples and in creative process - give the grounds to speak about primary value of an emotion in a work of art.

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