CONTENTS

CULTUROLOGY, THE THEORY AND CULTURAL HISTORY

Al’shevskaya O.N. Book trade in Siberia and the Far East: directions and trends of specialization ..........................................................5

Barnashova E.V. Intermediality in the context of mimetic tendencies in the artistic culture of the 19th century: games with visualization in the novel “Creativity” by E. Zola ...................18

Baturin D.A., Galanina E.V. Mythological archetype of death and resurrection in video games ..............................29

Galmagova G.M. Cross-cultural methodology as a contemporary modification of the eternal reversion principle ..............................................44

Guk A.A. Domestic amateur photography and prosumption as a new socio-cultural strategy .........54

Zabulionite A.K.I., Korobeynikova L.A. Paradigm of philosophy and architectonics of sciences of culture ..........................................68

Kokarevich M.N. Architecture of the european middle ages in the context of culture ...........80

Kornienko M.A. On the question of the intentions of the linguo-philosophical paradigm of the study of language in the linguistic doctrine of the modists.........................................89

Makienko M.A., Korobeynikova L.A. Smart technologies in modern culture: pro et contra ......99

Nikitin A.P. The interrelation of culture and money: analysis options ............................................ 110

Rudnikova E.V. Visits of russian cultural figures to New Zealand during the pre-revolutionary period ............................. 121

Steklova I.A., Raguzhina O.I. The artistic expansion phenomenon of sculpture parks on the international symposiums basis .......................................... 137

Troitskaya A.A. “A kind of gentle painting”. On the divine origin of artistic talent in the Hilliard’s treatise ......................... 155

Chaplya T.V. The relationship of social and architectural spaces in the synchronous and diachronic aspects ............................................. 166

ART HISTORY

Artemeva E.A. Dziga Vertov, Jean Vigo and Gennady Shpalikov (on two cases of the mutual influence of soviet and french cinema) .................................................. 181

Gabrielyan T.O. Expressive means of “classic” graphic design .................... 197

Dementev O.V. The art of russian costume in China ..................................... 215

Eremenko G.A. The reasons for the “periphery” of the latest piano music in the domestic performing practice............................... 226

Klimenko V.V. The singer's personality: features and functional objective ..................... 237

Martynova D.O. The madwomen’s ball and its influence on French art of the second half of the XIXth century ....................................................... 243

Rusinova O.A. Development of themes and images of buryat music ...................... 251

Khilko N.F. Change images of dominants in Omsk cultural landscapes in photographers of the second half XX century .................................. 262

Shinkevich P.G. Interpretation of a musical work in the context of Roman Ingarden’s musical ontology .......................... 283

Batyreva S.G. Introduction to Kalmyk art: in the prism of cross-cultural interaction. ........... 290

MUSEUM AND CULTURAL HERITAGE

Dmitrienko N.M., Edakina D.A., Chernyak E.I. Actualization of cultural heritage in historical discourse ................... 301

Karachencev I.S. To the question of the impact of the Russian legislation to the museum of the Imperial Tomsk university (late XIX – beginning XX century) .................... 315

PUBLICATIONS AND REVIWS

Golev I.A. Two letters from the buryat leader to G.N. Potanin.............................. 325