CONTENTS

CULTUROLOGY, THE THEORY AND CULTURAL HISTORY

Abrashkevichus G.A. Lithuanians in Crimea: the socio-cultural aspect of adaptation ................... 5

Baboshko E.Yu., Galkin D.V., Konovalova K.V. Conceptualization of modernity in the context of postmodern reflection .........................14

Badmaev А.А. Dog in the traditional worldview and ritual of the buryat ..........................30

Gorokhovskaya L.G. Discourse guide “Globe of Vladivostok”: latitude crimean, longitude kolyma ...............................44

Ivaschenko Ya.S. Neo-paganism in modern visual art in the case of A.A. Osipova’s life-creation ................................55

Krivovyaz N.V., Kukhta M.S. Overstratum as a new axial structure of sociality: the nature and context of a knowledge society ...............................72

Кuchmurukova E.A., Shanginova G.A. Practice as a means of forming professional qualities of future librarians ...........................80

Lukichev R.V., Konovalova K.V. The problem of interpreting generative art: towards hermeneutics of autonomous systems .........................90

Prikladova M.A. Lavinia Fontana and Luisa Roldán: religious themes in works of women- masters of the XVI–XVII centuries ........................ 107

Skakovskaya N.V., Bobkov S.P. The problems and perspectives of virtual reconstructing of cultural heritage .............................. 121

ART HISTORY

Arkhipova M.V. A concert that brings spiritual enlightenment (A.G. Schnittke “Concert for a mixed choir in four parts” to verses from the Book of sorrowful songs by Grigor Narekatsi) ........... 131

Zaitseva М.L., Budagyan R.R. Development of ethno-regional traditions in musical art of the XXI century (using the example of modern violin art)........................ 140

Kazantseva L.P. Musical “reading” of the verbal text ..................................... 161

Klimenko V.V, Malinovskaya E.E. Correlation of the opera image and the individual inner world of the singer ........................ 173

Kolotaev V.A. Dramatic conflict as a reflection of the crisis state of identity in cinema ................. 182

Kosmovskaya M.L. History of creative meetings of N.F. Findeizen with O.E. Ozarovskaya: following archival materials ........................ 197

Naiko N.M. Revisiting the search of composing process algorithms ........................... 215

Okisheva A.A. The road of time: the theme of wandering in the musical art .......................... 236

Tyaglova S.A., Ermakova V.A. Amateur chorus as a form of leisure activity in the 21st century .......................... 241

MUSEUM AND CULTURAL HERITAGE

Vasilyev D.V., Mazaev N.A. The monument-ensemble at Mamayev kurgan as an experience of reinterpretation of projects and practices of commemoration ....................... 249

Golev I.A. G.N. Potanin and P.P. Semenov-Tyan-Shansky: relationships and scientific collaboration ......................... 265

Leonov I.V., Khlevov A.A., Kirillov I.V. “Scar” on military artifact as a witness of his biography (with support for materials of the Military-artillery museum) ................... 272

Sayaparova E.V. Unpublished documents of N.S. Romanov’s personal funds as sources for studying the cultural life of Irkutsk .......................... 283

PUBLICATIONS AND REVIEWS

Dmitrienko N.M., Karachencev I.S. Lecture of A.Y. Tugarinov at the congress on the organization of the Institute for the study of Siberia (1919) ......................... 293

Tarasova I.A. Book review: Dialectics of post-dramatic theater: the experience of cognitive theater studies ......................... 303