CONTENTS

CULTUROLOGY, THE THEORY AND CULTURAL HISTORY

Andreev E.A., Tuzovsky I.D. Images of the future of the digital age in the metagenre of dystopia of the early XXI century............................................ 5

Baikova E.V. Insectomorphism in the artistic culture of Japan ............................. 20

Balmatova T.M. The conference “Cante hondo” by F. García Lorca as a source of truths and myths about Andalusian folk singing.................................... 29

Vilchinskaya-Butenko M.E. What handbags, shoes and cats remind us of: public art as a commemorative practice.......................................... 36

Voroshin S.D. The means of forming the stroganovs’ cultural identity in the XVI–XVII centuries ................................................... 51

Kopaneva D.D. The image of a medieval hero in serbian cinema: from the beginnings to the present day..............................................................................66

Kornienko A.A., Nikitina Yu.A. Globalization as a prerequisite for a systemic crisis: to the problem of the possibility of calculating risk.............................................. 81

Kostina О.V., Filimonova O.F. Obscurity of art: onto-social dimension ........................... 92

Ruzhinskaya I.N. National graduation of the Leningrad Theater Institute in Tomsk...................... 106

Skalnaya O.A. Particularity of modern chinese business culture through the prism of traditional chinese philosophy (based on the typology of cultural dimensions of Hofstede)...................... 121

Suvorova I.M. Schwartz's paradoxical “general cultural profile” as a problem of axiological research................................................ 130

Fadeeva T.E., Staruseva-Persheeva A.D., Skovorodnikov P.Y., Blucher Y.N. GIF animation in the context of contemporary illustration: why “animate” the picture? ...................... 139

Fedotova N.G. Cultural memory of the city: features of representing the narratives of local patriotism in the urban environment .................................. 153

Shuneyko A.A., Chibisova O.V. “Solaris” at the crossroads of languages and cultures................. 166

ART HISTORY

Almeeva N.Yu. Edding laments of the turkic people of the Volga and Urals with a single-line rhythmic formula: issues of typology ..................................................... 180

Denisova G.L. Exposition of personage’s inner world in Kukryniksy’s political cartoons of 1941–1945.............................................. 193

Karpyak A.Y. An objective view of the origin and performance of flute music by J.S. Bach ........ 208

Milanovskaya E.S. “Chemistry and life”. Scientific journal as an art platform ................. 221

Nemerchuk E.E. Peter Miturich's abstract graphics: the origins, influences, artistic language ....... 233

Portnova I.V. The philosophy of “natural nature” and “cosmocentrism” in the visual arts of the old and new times. Paradigms of meanings ......................................... 244

Rybkova I.V. The influence of genre models in the dramaturgy of the cantata “The story of Dr. Johann Faust” A. Schnittke......................................... 257

MUSEUM AND CULTURAL HERITAGE

Gendina N.I., Kosolapova E.V., Rodionova D.D., Ryabtseva L.N. Unified digital space of russian museums: problems of content ordering and gaps in the professional training of museum workers.................................................. 266

Korotkova O.A. Diplomatic gift in the context of museum. By the example of gifts from rulers of eastern countries to Nicholas II ................................................................ 285

Liu T., Chernyak E.I. Legislative basis for the creation of the Liaoning Paleontological Museum.............................................. 294

Strekalina E.A. Museum “Taltsy” as a way of formation of historical memory .................. 301

Mammadov Z. The national culture of Azerbaijan on UNESCO list of cultural heritage............... 308

PUBLICATIONS AND REVIEWS

Esipova V.A., Golev I.A. Book review: The great Tartary and its seven guests. The great siberian journey ................................................................... 319

Savelieva E.N., Budenkova V.E. Tomsk artists at the interregional art exhibition “SIBERIAXIII” ........................................ 322