CONTENTS

CULTUROLOGY, THE THEORY AND CULTURAL HISTORY

Vakhrameeva Z.V. Audio and video documents in libraries’ local history online collections..... 5

Galkin D.V., Yuezixuan. Ecological urban design: approaches to waterfront revetment........ 15

Drobysheva E.E. “Art 3.0” in the actual socio-cultural architectonics................................ 30

Zagrebin S.S. Nelly Fomina’s costumes to Andrei Tarkovsky’s films: the peculiarity of the imaginative solution .................................................. 41

Korobeynikova L.A., Zabulionite A.K.I. Multiculturalism in the XXI century: challenges and perspectives........................................... 55

Morozova A.V. The role of historical novels in educating the personality of an art scientist (on archival materials of doctor in art researching T.P. Znamerovskaya (1912–1977)).............................. 64

Odorova T.L. Book publishing of cooperation of Buryatia in 1917–1922....................... 73

Osintseva N.V., Sarpova O.V. Correlation of the human image in ancient russian philosophy and folk dance................................... 85

Saveliev M.V., Zhorov Yu.V., Zhukovskaya D.S., Davydova A.A. Features of the recreational and tourist spaces formation in the Siberian Region.................................... 97

Tretyakova M.S., Aganina N.S. Japanese zen and russian toska: in pursuit of discreet beauty of simplified forms ..................................... 115

ART HISTORY

Barabash O.S. The embodiment of fyodor Tyutchev's poetry in choral works a cappella: on the search for an effective methodology of analysis and ways of interaction between two semantic systems................................... 131

Georgievskaya O.V. On some features of Andante in g minor of G.F. Handel: on problem of performing analysis of texture..................................... 141

Zuev I.N., Romanova E.G., Musukhranov I.L., Molyavko G.P. Actualization of the mythological picture of the world in the s musical component of the modern neo-shaman ritual (based on the cult practice of neo-shamanism Mountain Altai) ................................ 154

Kalachina L.V. The female image as a marker of ethnoculture in artist’s works of P.D. Minichkin......................... 166

Murashova N.S. The value of polystylism in the development of metagene old believers spiritual verse............................. 176

Petruseva N.A. Towards statics: J. Shelsi and H. Lachenmann .......................... 189

Prikhodovskaya E.A., Okisheva A.A. The action of the intertemporal semantic pendulum on the example of the third piano concerto by S.V. Rachmaninov ........................... 205

Tiron E.L. Lullabies of ovyursky tuvinians.................................................. 211

Fileva-Ruseva K.G. Developing the timbre imagination of students in general education school through electronic textbooks on music ........................................ 225

MUSEUM AND CULTURAL HERITAGE

Golev I.A. To the history of the study of the scientific heritage G.N. Potanin (1920s – early 1990s)................................................ 237

Kiryushin K.Yu., Kiryushina Yu.V. Historical and cultural heritage of turkish peoples on the territory of SEZ TRT “Turquoise Katun”: to the question about the assessment of tourist potential ............................. 245

Mainicheva A.Yu., Gruzdeva E.A., Orlova E.Yu. Methods for measuring buildings using laser scanning (on the example of two objects of cultural heritage of the Novosibirsk Region)................. 258

Pudov G.A. The russian-scandinavian art relations in the chest production ..................... 270

Tserkovnikova E.A. The professional and social activities of the artist A.A. Vasilliev in Chukotka........................... 283

PUBLICATIONS AND REVIEWS

Okisheva A.A. Review of the book by E.M. Shenderovich “In the concertmaster class: reflections of a teacher”........................................... 293