CONTENTS

CULTUROLOGY, THE THEORY AND CULTURAL HISTORY

Ardashkin I.B., Korobeynikova L.A., Perminova Yu.V. Terminological dimension of cultural capital: facets of interaction......................... 5

Weng Wei, Galkin D.V., Yue Zixuan. Cultural lag and visionary challenges: speculative approach to generative design................................. 21

Golev I.A. G.N. Potanin's research strategies in the context of anthropocentric humanism............. 33

Ivanova O.L. Transformation of the value-based attitude towards the traditions of the artistic culture of the territory in the context of marketing communications .......................... 40

Izotova N.N. Actual problems of Japanese gender discourse ............................... 54

Kokarevich M.N. The destinies of Italian Renaissance paradigm values in northern european cultures....................... 66

Pushkarenko E.A. The cultural policy of “Belarusization” as a propaganda tool of the german authorities in the occupied soviet territory (based on the materials of the General District of Belarus)............................... 76

Fortunatov A.N., Fortunatov N.M. Philosophical depth of artistic thinking: Pushkin and Schelling.................................... 90

Yue Zixuan, Galkin D.V., Weng Wei. Modern culture and practice of the urban water landscape design: theoretical and practical explorations............................................... 102

ART HISTORY

Afanaseva I.A. The toposes of vision and narratives in the artworks of contemporary russian artists P. Arseniev, M. Bezideiny, S. Motolyants, V. Chtak......................... 113

Kozyrev A.O. Philosophy of postmodernism in musical culture............................ 125

Krivosheina N.V., Krupnina O.V., Parshakova A.A. New signature dated icon of Vyatka – Sofia the Wisdom of God ..................................... 135

Kurilov V.N. Novosibirsk State Academic Opera and Ballet Theater in fine arts and design ......... 146

Loginova A.M. Marg magazine as one of the sources of the artistic life of India in the 1930s and 1950s.................................. 155

Opaley E.N. Cathedral architectonics of the “Sacred Chant” by I.F. Stravinsky............................. 168

Sukchorukova O.A. “Touch the transcendent”: about a person's search for a meeting with god (based on Andrei Tarkovsky's filmography)................................ 180

Tyaglova S.A., Trushnikova N.S. Modern psychological and pedagogical technologies for conducting choral practice for students in the direction of “Choral conducting” .................. 192

Faritov V.T. Speculation in sounds: metaphysical aspects of Alfred Schnittke's musical creativity................................ 204

MUSEUM AND CULTURAL HERITAGE

Zolotareva N.V. Nature and ethnographic park-museum “Zhivun” as a center for updating the ethnocultural heritage of the northern khanty............................. 218

Kravtsova L.A. Value meanings of natural-science collections of the institute of coal in the context of modern sociocultural needs of society .......................... 228

Ugleva N.V. Attribution of old russian furniture in museums in the first quarter of the twentieth-first century.............................. 239

Filin P.A. High-latitude polar station “Tikhaya Bay” on Franz Josef Land as an open-air museum ................................ 253

Eyvazova Ye.M. Museological aspects of the assessment of historical and cultural monuments: musealization .................................. 269

PUBLICATIONS AND REVIEWS

Andreeva Е.A. Review of the book by N.M. Dmitrienko “Nobles in Tomsk: biographical dictionary (the second half of the XVIII – The beginning of the XX century)”.................................. 280

Dmitrienko N.M. Alexander Adrianov about the Siberian museum of science and art................... 284

Shevelev D.N. Review of the book “The museum world at the turn of eras. 1914–1921 (Museological heritage of North Asia. Issue 4)”............................... 290