Three songs based on poems of M. Tsvetaeva" by Boris Tishchenko as a form of artistic interaction between music and poetry | Tomsk State University Journal of Cultural Studies and Art History. 2013. № 2 (10).

Three songs based on poems of M. Tsvetaeva" by Boris Tishchenko as a form of artistic interaction between music and poetry

The article «Three songs based on poems of M. Tsvetaeva» by Boris Tishchenko as a form of artistic interaction between music and poetry" is devoted to the problem of XXth century vocal music analysis. In this memoir a special emphasis is put on of the «Window», «Falling leaves» and «Mirror» poems which semantics and figurative symbolism are immersed into the context of form, intonation content and harmonic. As a means of argumentation there showed a comparison with typical models of baroque's musical affects, the 1960th popular bard's song genre, with the examples of the music of the past.

Download file

Counter downloads: 334

Keywords

М.И. Цветаева, Б.И. Тищенко, символика, песенная форма, формообразующие признаки, Tsvetaeva, Tishchenko, symbolism, song form, form shaping indications

Authors

Name	Organization	E-mail
Andreeva Vera D.	Tomsk State University	Dmitriewna.vera@yandex.ru

Всего: 1

References

Холопова В. Борис Тищенко: рельефы спонтанности на фоне рационализма // Музыка из бывшего СССР. М., 1994. Вып. 1. С. 56-71.

Сыров В. Борис Иванович Тищенко // История отечественной музыки второй половины XX века. СПб., 2005. С. 139-156.

Ручьевская Е.А. Анализ вокальных произведений: учеб. пособие / Е.А. Ручьевская, Л.П. Иванова, В.П. Широкова. Л.: Музыка, 1988. 352 с.

Ручьевская Е.А. Классическая музыкальная форма: учеб. СПб.: Композитор, 1998. 268 с.

Ручьевская Е.А. Стиль. Драматургия. Слово и музыка: На примере «Руслан» Глинки, «Тристан» Вагнера, «Снегурочка» Римского-Корсакова. СПб.: Композитор, 2002. 396 с.