Problems of interpretation of jazz style on the example of prelude no. 2 from the cycle "24 preludes for pianos" or. 58 Nicholas Kapustin
The article discusses the interpretation of jazz in the work of N. Kapustin Prelude No. 2 Op. 58. The prelude is analyzed in terms of form and style. Performance techniques and difficulties are considered. Interestingly, the way that Kapustin uses to develop and transform thematism in Prelude No. 2 has traditional roots: it is motivational development, variations, contrasts, rhythmic transformation, mirror reflection in the reprise.
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Keywords
Капустин, джаз, прелюдия, фортепиано, Kapustin, jazz, prelude, pianoAuthors
| Name | Organization | |
| Ionkina Daria N. | Orel State Institute of Culture |
References
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Панкратова В. Малые инструментальные формы (прелюдия, ноктюрн, этюд). М., 1962.
Creighton R.J. A Man Of Two Worlds: Jazz and Classical influences in Nikolai Kapustin's 24 Preludes op. 53. University of Arizona, 2009.
Problems of interpretation of jazz style on the example of prelude no. 2 from the cycle "24 preludes for pianos" or. 58 Nicholas Kapustin | Musical Almanac of Tomsk State University. 2019. № 8. DOI: 10.17223/26188929/8/11
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