Sergey Slonimsky. Piano suite "Three graces" (1964)
In this paper, features of the composer's style are examined using the example of the piano suite "Three Graces". The place of this work is determined in the context of the composer's work; the influence of the picturesque primary sources on the choice of musical means; The form and means of musical expressiveness in each play of the cycle are analyzed; features of the treatment cycle as a whole; conclusions are drawn about the peculiarities of the composer's style in this period.
Keywords
фортепианная сюита, вариации, С. Слонимский, С. Боттичелли, П. Пикассо, О. Роден, piano suite, variations, S. Slonimsky, S. Botticelli, P. Picasso, O. RodinAuthors
| Name | Organization | |
| Krivopalova Veronika A. | Tomsk State University | prihkatja@mail.ru |
| Kharlamova Olga V. | Tomsk Music College named after E.V. Denisov | prihkatja@mail.ru |
References
Sergey Slonimsky. Piano suite "Three graces" (1964) | Musical Almanac of Tomsk State University. 2018. № 5. DOI: 10.17223/26188929/5/3