Harmony in a musical work - open system with limitless potential

The article discusses the possibilities of constructing a harmonic series of a musical composition. These opportunities turn out to be almost inexhaustible. Oriented on the statement of Marchetto of Padua ("The ear is the best judge"), we see in such a potential of harmonic sequences the limitless potential of colors accompanying melodic constructions In the development of a composer in a particular text of a different panorama of harmonic transitions are involved, first of all:. 1) enharmonic, 2) major-minor system, 3) a system of tonal connections parallel - eponymous - one-tone tonalities.

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