MUSICAL ALMANAC OF TOMSK STATE UNIVERSITY

2022 № 14

CONTENTS

From the chief editor …………………………………………………………… 9

VITA BREVIS, ARS LONGA

Mikhail Kazantsev, Sergei Revushkin, Olga Tkachenko,

Ekaterina Stepanova, Olga Ivanova.

IN MEMORY OF THE GREAT MASTER ………………….…………………. 12

REASONABLE, GOOD, ETERNAL

Elena Starikova. PSYCHOLOGICAL COMFORT IN THE LESSONS

OF THE MUSICAL AND THEORETICAL CYCLE …………………………… 19

VERBUM DE MUSICA

Ekaterina Malinovskaya. THE INTENTION OF THE AUTHOR

IN THE TEXT OF THE WORK …………………………………….…………… 26

Anna Okisheva. INTERTIME SENSITIVE PENDULUM:

THE WAY OF EXISTENCE OF A MUSICAL WORK ………………………… 29

Ekaterina Prikhodovskaya. TANDEM OF EMOTIvITY

AND CONDITIONALITY IN FORMING THE MEANING

INTEGRITY OF A VOCAL WORK …………………………………………….. 33

Vyacheslav Klimenko. THE CONCEPT OF INTERNAL

QUASI-MONO-OPERA …………………………………………………………. 39

ARTICLES AND CHARACTERS

Vera Andreeva, Olga Koshevaya. Jean-Philippe Rameau.

OPERA DARDAN …………………………………………………………….…. 55

Anna Okisheva. SOUND REPRESENTATION

AND REFLECTION OF FOLK-GENRE ELEMENTS

IN THE WORKS OF RUSSIAN COMPOSERS ………………………………… 71

Olga Chelnintseva, Svetlana Yashneva. GERMAINE TAIFER

AND HER PIANO CYCLE “COLOR OF FRANCE” …………………………… 83

Veronika Krivopalova, Anna Danchenko. VALERY KALISTRATOV

"ON THE STREET, STREET" FROM THE CYCLE

"FIVE WEDDING SONGS" FOR WOMEN'S CHOIR

(INTONATION ANALYSIS AND STRATE ANALYSIS) …………………… 96

LAWS OF MUSIC GENRES

Sergey Merkulov, SOUNDTRACK AS A MUSICAL

SUPPLEMENT THAT CAN BECOMES AN INDEPENDENT

WORK (BY EXAMPLES FROM FILMS AND COMPUTER GAMES) ……... 102

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CONCERT LIFE OF THE CITY

YOUNG VOICES (ROMANCIADE 2022 REVIEW) …………………….…… 111

"FIVE DAYS OF PEACE AND MUSIC" ……………………………….……... 113

THE MUSIC OF COMPOSERS OF THE ALTAI

TERRITORY LIVES! …………………………………………………………… 121

Information about the Authors .......................................................................... 132