Music Through the Lens of Biocultural Co-Constructivism
From the perspective of the biocultural co-constructivism concept, the article deals with the phenomenon of musical auditory perception. The main claim is that culture excites certain musical and artistic auditory patterns which are fixed in brain structures, play a crucial role in cognitive processes associated with musical creativity, and turn out to be important components of the holistic system "brain - society - culture", especially in the initial stages of human development. These patterns play the role of pre-language in the process of ontogenesis. They act as prerequisites for the perception of reality, the understanding of nature and mechanisms whose functioning is possible in the format of Kant's ideas related to apriorism in the context of modern neuroscience, bearing in mind the transcendentalism of the activity type as well. The authors claim the crucial role of musical auditory imprinting in the accumulation of initial musical-auditory associations-genetically prewired programs. The authors suggest that musical auditory imprinting explains the formation of ethnic musical modules, as well as primary musical auditory preferences. They discuss the nature of innate neural mechanisms that provide, when perceiving sound intonations, interaction with the accumulated supply of musical auditory intonations of the language, genetically innate programs-a kind of "implicit knowledge" with prosodic and musical intonations of a certain ethnic group. These innate neural mechanisms that make possible not only to realize belonging to a certain ethnic group but to interpret music as a mechanism of a meaningful and "directed" cognitive process that shapes a person as a representative of a certain culture as well. The authors provide arguments for the key thesis of modern neuroesthetics, according to which it is the musical abilities of a person from the whole set of types of artistic abilities that largely determine the degree of effectiveness of the work of intelligence, as well as almost all of cognitive functions.
Keywords
биокультурный со-конструктивизм,
музыкально-слуховые паттерны,
априоризм,
трансцендентализм,
музыкально-слуховой импринтинг,
biocultural co-constructivism,
musical-auditory patterns,
a priori,
transcendentalism,
musical auditory imprintingAuthors
| Bazhanov Valentin A. | Ulyanovsk State University | vbazhanov@yandex.ru. http://staff.ulsu.ru/bazhanov |
| Kraeva Alexandra G. | Ulyanovsk State University | kraevalex@list.ru |
Всего: 2
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