Free indirect effect of the cinema

Free indirect discourse (FID)or seemingly indirect style, one of the most problematic category in the contemporary science oflanguage, is considered as the deep shape-generating source of the cinema emotional and dramaticimpact. Because of that free indirect discourse as a linguistic category is interpreted as a free indirecteffect concerning study of the film art. In the first place the article deals with three conception of FIDwhich belong to M. Bakhtin, P. Pasolini and G. Deleuze, respectively. Much of the research outputlinks with the problem of cultural self-reflectiveness in connection with FID (explained by an exampleof M. Bakhtin and P. Pasolini) as well as with illustrate how free indirect effect form an authorindividual style (explained by an example of L. von Trier).

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