Alekseeva Tatyana P., Vinitskaya Natalya V. «Folklorism and neoprimitivism of Russian avant-garde in the first decades of the XX century» // Tomsk State University Journal of Cultural Studies and Art History 2016. №4(24) C.5-25
Baboshko Elena Yu., Galkin Dmitrii V. «Will to power" and the coordinates of modernity in the philosophy of art of Boris Groys» // Tomsk State University Journal of Cultural Studies and Art History 2017. №28 C.5-16
Dementsova Emiliia V. «On the question of terminological definition of the concept of author's theatre» // Tomsk State University Journal of Cultural Studies and Art History 2022. №45 C.25-31
Mamatov Gleb M. «Conception of music in Boris Poplavsky's early works» // Tomsk State University Journal 2022. №481 C.29-40
Ogudov Sergey A. «Diegesis and grotesque: the film adaptation of The Overcoat by Yu.N. Tynyanov» // Tomsk State University Journal 2015. №401 C.63-68
Vasilyev V.A. «The artist as the subject of interaction between Russian and Ukrainian cultures in the first quarter of the 20 century» // 2010. №337 C.67-71
Sokolova O. V., Feshchenko V. V. ««The revolution of language» by Eugene Jolas: from «Vertical» Poetry to «Vertigral» Communication» // Siberian Journal of Philology 2017. №4 C.67-83
Korobeynikova Tatiana S. «Siberian avant-garde as a cultural phenomenon (based on the 1960s1980s works of artists)» // 2011. №352 C.70-73
Korneev Alexander V. «Metanoia of Daniil Kharms: A Transition From Cosmogono-Eschatological to Christian Myth and Rejection of the Avant-Garde» // Imagology and Comparative Studies 2022. №17 C.98-111
Kipnes Ludmila V., Erofeeva Natalia E. «Book review: Zarodova, Yu.P., Devetiarova, I.G. (eds) (2021) Omskiy literaturnyy avangard 1920-kh godov. Poety “Chervonnoy troyki”: stikhotvoreniya, poemy [Omsk Literary Avant-Garde of the 1920s. Poets of the Chervonnaya Troika: Poems]. Omsk: Omskblankizdat» // Text. Book. Publishing 2023. №31 C.164-171