Distance learning for specialized musical disciplines: problems and the ways of solution | Tomsk State University Journal of Cultural Studies and Art History. 2022. № 45. DOI: 10.17223/22220836/45/11

Distance learning for specialized musical disciplines: problems and the ways of solution

The scientific article is devoted the investigation of the most actual questions concerning distance educational form into the light of the specialized training disciplines a namely „Ensemble” and „Special class”. The author has approved that the problem of distance educational form in relation to underlined musical subjects is maximally indicated their practical nature, what have had presentation in the professional communicative sensation of general (simultaneous) performing act, in the process for development and correlation of musician's performing apparatus, in detail-hearing comprehension of particularity for artistic musically-expressive means a namely timbre and attack of sound, traits and articulation, strong and dynamic of instrument (vocal) sounding. The importance of introduction to the contemporary educational process the mixed thematic-integrated learning, specifically the synthesis of distance and full-time educational forms. This interaction must be in the presence of academic musical compositions solo at the training repertoires, specialized musical pieces that were written by vocational composer for playing only one performer-soloist (instrumentalist, vocalist). It is necessary to emphasize that maximally active, result way for keep qualitative high level of creatively artistic practice, musical lessons into the special class (wind wood and brass, drums, vocal, string-bowed, string-plucked specializations) is creative appeal of contemporary pedagogue-musicians to the academic compositions, that were written by authors in to performing form solo, namely the address to masterpieces for performing only one artist-soloist. These academic stagesingle musical pieces are artistically self-sufficient, at the same time, this kind compositions are performed by musician without fortepiano. The pieces of music solo absorb by the power of composer's talent, artistic thoughts the excellently most potential of artistically expressive possibilities, intonation sounding means one or another instrument (voice) - chord sounding (monophonic instruments), microinterval (microchromatics), sound oscillation, playing with four mallets, hidden polyphony and others. This type of compositions (music solo) will be giving the distance professional development of artistically expressive means for student's practice, the formation of independence concerning artistically imaginative thinking of pupils, as well as the upbringing of academic ensemble performing skills among contemporary students.

Download file
Counter downloads: 23

Keywords

pedagogy, composition solo, instructive subject, distance educational form, „Ensemble”, „Special class”

Authors

NameOrganizationE-mail
Hromchenko Valerii V.Mikhail Glinka academy music of Dnepropetrovsk regiongromchencko.valeriy@gmail.com
Всего: 1

References

Берегова О.М. 11ов1 форми дистанцшно!' комушкацн в музичному мистецтвк виклик часу чи перспектива розвитку в ХХ1 столттп // Сучасне музичне мистецтво як соцюкультурне явище. 2020. С. 3-8.
Thornton L. Music education at a distance // Journal of music teacher education. 2020. 29 (3). P. 3-6.
Арльт Д. В ритме карантина. Ч. 3: Онлайн-обучение. URL: https://www.classicalmu-sicnews.ru/articles/con-quarantine-part-3/(дата обращения: 09.01.2021).
Vyshynskyi V., Yahodzynska I. Distance learning for music disciplines in higher education: challenges and prospects // Society.Integration. Education. Proceedings of the International scientific conference. Vol. III. May 26th-27th. 2017. P. 585-598.
Надольская О., Тормозова Н. Камерный ансамбль как форма творческой коммуникации: теория и практика: дополнительная профессиональная программа повышения квалификации. Саратов : СГК им. Л.В. Собинова, 2020. 14 с.
Смульсон М.Л. Дистанцшне навчання : психолопчш засади. Ктровоград : 1мекс-ЛТД, 2012. 240 с.
Левицький Ю.Ю., Лебедь В.О. Ансамбль: робоча програма для студенпв за спещальшстю «Музичне мистецтво». Дншро : ДАМ iм. М. Глшки, 2019. 13 с.
Грузт 1.О., Семеряга В.О. Фах (спещальний шструмент): робоча програма для студенпв за спещальшстю «Музичне мистецтво». Дншро : ДАМ iм. М. Глшки, 2019. 46 с.
Громченко В.В. Методика викладання фахових дисциплш та педагопчний репертуар: робоча програма для студенпв за спещальшстю «Музичне мистецтво». Дншро : ДАМ iм. М. Глшки, 2019. 26 с.
Сучасне музичне мистецтво як соцюкультурне явище : зб. матерiалiв IV Всеукр. наук.-практ. дист. конф. (з мкжнар. участю) 6-7 квггня 2020 р. / под ред. Ю.М. Новжова. Дншро : ГРАН1, 2020. 120 с.
Громченко В.В. Духове соло в европейськш академиипй композиторськш та виконав-сьюй творчост ХХ - початку XXI ст. (тенденцп розвитку, специфжа, систематика). Ки!'в ; Дншро: Л1РА, 2020. 304 с.
Понькина А.М. Влияние джаза на эволюцию академического искусства игры на саксофоне // Вестник Томского государственного университета. Культурология и искусствоведение. 2019. № 34. С. 137-144.
Рало А.А. Формирование исполнительских постановок четырьмя палками при игре на звуковысотных клавишных ударных инструментах // Вестник Томского государственного университета. Культурология и искусствоведение. 2020. № 38. С. 207-217.
Апатский В.Н. Основы теории и методики духового музыкально-исполнительского искусства. Киев: НМАУ им. П.И. Чайковского, 2006. 432 с.
 Distance learning for specialized musical disciplines: problems and the ways of solution | Tomsk State University Journal of Cultural Studies and Art History. 2022. № 45. DOI: 10.17223/22220836/45/11

Distance learning for specialized musical disciplines: problems and the ways of solution | Tomsk State University Journal of Cultural Studies and Art History. 2022. № 45. DOI: 10.17223/22220836/45/11

Download full-text version
Counter downloads: 665