COMPARATIVE STUDIES
5–36
Kiselev Vitaly S. Letters From Royal Persons to Vasily Zhukovsky and the Semantics of “Family Monarchy” // Imagologiya i komparativistika – Imagology and Comparative Studies. 2020. № 14. P. 5–36. DOI: 10.17223/24099554/14/1
37–61
Nikonova Natalia Ye. Vasily Zhukovsky and Friedrich Wilhelm von Schadow: Based on Materials From the Painter’s Unpublished Letters // Imagologiya i komparativistika – Imagology and Comparative Studies. 2020. № 14. P. 37–61. DOI: 10.17223/24099554/14/2
62–89
Andreeva Valeria G. Novels by Anthony Trollope and Anna Karenina by Leo Tolstoy: Genetic and Typological Similarities // Imagologiya i komparativistika – Imagology and Comparative Studies. 2020. № 14. P. 62–89. DOI: 10.17223/24099554/14/3
90–109
Nazarenko Ivan I. “Orpheus in Hell”: The Transformation of the Myth of Orpheus and Eurydice in Boris Poplavsky’s Novel Home from Heaven // Imagologiya i komparativistika – Imagology and Comparative Studies. 2020. № 14. P. 90–109. DOI: 10.17223/24099554/14/4
110–121
Koroleva Svetlana B., Shibaeva Natalya B. Conscience as an Experiment: The Russian Subtext of John Galsworthy’s Short Story “Conscience” // Imagologiya i komparativistika – Imagology and Comparative Studies. 2020. № 14. P. 110–121. DOI: 10.17223/24099554/14/5
122–142
Grigorovskaya Anastasiya V. Specificity of the National Character in the Description of Entrepreneurs in Cameron Hawley’s and Ayn Rand’ s Novels // Imagologiya i komparativistika – Imagology and Comparative Studies. 2020. № 14. P. 122–142. DOI: 10.17223/24099554/14/6
143–167
Orekhov Vladimir V. Background of Russian Imagology: Tradition as an Indication of Target // Imagologiya i komparativistika – Imagology and Comparative Studies. 2020. № 14. P. 143–167. DOI: 10.17223/24099554/14/7
168–185
Ivanitskiy Alexander I. Spiritualization of Power and Service in Late Gogol: Motive Sources // Imagologiya i komparativistika – Imagology and Comparative Studies. 2020. № 14. P. 168–185. DOI: 10.17223/24099554/14/8
186–209
Zhdanov Sergey S. German Borders and Germany as a Boundary: Images of the Liminal Space in the Russian Literature of the Late 18th - Early 20th Centuries // Imagologiya i komparativistika – Imagology and Comparative Studies. 2020. № 14. P. 186–209. DOI: 10.17223/24099554/14/9
210–218
Karpukhina Viktoriya N. Gender Aspect of the Image of Altai in George Grebenstchikoffs Works // Imagologiya i komparativistika – Imagology and Comparative Studies. 2020. № 14. P. 210–218. DOI: 10.17223/24099554/14/10
219–245
Penskaya Elena N. Mikhail Bulgakov and Aleksandr Sukhovo-Kobylin. T extology of a Theater Album // Imagologiya i komparativistika – Imagology and Comparative Studies. 2020. № 14. P. 219–245. DOI: 10.17223/24099554/14/11
Imagologiya i komparativistika – Imagology and Comparative Studies. 2020. № 14.
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