Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 17.

COMPARATIVE STUDIES

7–36

Polilova Vera S. The Poetics of the Carnation: The Word and the Image in Russian Poetry From Trediakovsky to Brodsky (In the Context of European Tradition). Part One // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 17. P. 7–36. DOI: 10.17223/24099554/17/1

37–59

Volkov Ivan O. The tradition of Walter Scott in the work of Ivan Turgenev: SaintRonan's Well and Clara Milic // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 17. P. 37–59. DOI: 10.17223/24099554/17/2

60–78

Tik Natalia A. The First Translations of Aleksandr Pushkin’s Eugene Onegin Into Italian // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 17. P. 60–78. DOI: 10.17223/24099554/17/3

79–97

Shatokhina Anastasiia O., Banchenko Aleksandra V. Fyodor Dostoevsky’s The Gambler in Hungarian Translations: The Interpretation of the Concept ‘Passion in Love’ (‘Lyubovnaya Strast’) // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 17. P. 79–97. DOI: 10.17223/24099554/17/4

98–111

Korneev Alexander V. Metanoia of Daniil Kharms: A Transition From Cosmogono-Eschatological to Christian Myth and Rejection of the Avant-Garde // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 17. P. 98–111. DOI: 10.17223/24099554/17/5

112–121

Samoylova Mariya P. Reception of the Ancient Myth of the Atreides in Woody Allen’s Cassandra’s Dream // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 17. P. 112–121. DOI: 10.17223/24099554/17/6

IMAGOLOGY

122–142

Popova Tatiana G. Christian Monasteries of the East of the 6th-7th Centuries in the “Sacred Space” of The Ladder of Divine Ascent by John Climacus // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 17. P. 122–142. DOI: 10.17223/24099554/17/7

143–169

Sharov Konstantin S. At the Origins of Historical Imagology: Isaac Newton’s Nature-Philosophical Mythography. Translation and Commentaries // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 17. P. 143–169. DOI: 10.17223/24099554/17/8

170–191

Poplavskaya Irina A. The Kingdom of Naples and Russia at the Beginning of the 19th Century: Based on the Correspondence of the Bulgakov Brothers // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 17. P. 170–191. DOI: 10.17223/24099554/17/9

192–215

Ivanitskiy Alexander I. On the Demarcation Between Attitude and Poetics (On the Example of Marriage by Nikolai Gogol) // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 17. P. 192–215. DOI: 10.17223/24099554/17/10

216–236

Aleksandrova Elena V. The Slavic Question (The National and the Imperial) in the Reception of Egor Kovalevsky // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 17. P. 216–236. DOI: 10.17223/24099554/17/11

237–265

Anisimov Kirill V. Ivan Bunin’s Middle East and Nikolay Gumilyov’s Africa: Travels Through the “Map” of Literary Techniques // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 17. P. 237–265. DOI: 10.17223/24099554/17/12

266–286

Ponomarev Evgeny R. Motherland in the Philosophy of Eurasianism // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 17. P. 266–286. DOI: 10.17223/24099554/17/13

287–315

Bogumil Tatiana A. Altai Hydropoetics: Rivers // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 17. P. 287–315. DOI: 10.17223/24099554/17/14

316–327

Kulyapin Alexander I. Sleep of Reason: Existential Motifs in Vasily Shukshin’s Story “Thoughts” // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 17. P. 316–327. DOI: 10.17223/24099554/17/15

328–348

Vechorynska Tatyana V. Amy Tan’s The Joy Luck Club: Reconsidering the Image of China within Chinese American Discourse // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 17. P. 328–348. DOI: 10.17223/24099554/17/16

349–373

Maltsev Leonid A. Between Dostoevsky and Thomas Mann: Saint Petersburg-Venetian Texts of Gustaw Herling-Grudzinski’s White Night of Love // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 17. P. 349–373. DOI: 10.17223/24099554/17/17