And opera again!

The article presents a two-volume monograph by I.N. Naletova dedicated to the development and practical adaptation of the general scientific system approach to opera as a whole. Evaluating the monographic study of a domestic scientist, the author focuses on her methodological and theoretical potential, relevant both for operatic studies and production practice. Examination of the work takes place on the background of a broad cultural context - impressions from the defense of a doctoral dissertation by E.A. Prikhodovskaya, in which the author of the article was an opponent, the research of M.V. Minkin "Nemo Evgeny", published in the pages of the newspaper "Moskovsky Komsomolets", characteristic of modern artistic creativity, associated with the production of classical opera samples, postmodern mockery of the cultural heritage of our country, including works that reveal the specifics of the theory of the activities of the national methodologist G. . Schedrovitsky and reflections on the music of the composer Valery Gavrilin.

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