Well-tempered clavier" by J.S. Bach: semantic foundations of the unity

The article focuses on a number of musical "hints" about the content and semantic guidelines contained in the "Well-tempered Clavier" by J.S. Bach. The fact that most of his works do not have programs or verbal references and titles was pointed out. The religious subtext of the content of the musical unity is emphasized. The rows of accordance of semantic and musical series are given.

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