| 5 | 2018 | From the editor | Prikhodovskaya Ekaterina A. | 85 |
| 6 | 2018 | Scenic appearance as an important component of the embodiment of an opera image | Fattakhov Ilnur Yu. | 85 |
| 8 | 2019 | "Dama Pic" by Pavel Lungin as intertext | Yan Yu | 85 |
| 6 | 2018 | Japanese traditional orchestra music: correlation between time and timbra | Lipayeva Darya E. | 84 |
| 9 | 2020 | Review of the educational and methodological complex "Fairytal images in art" for students of the "spring" school of arts (author-compositor E. Ye. Rybalko) | Volkova Polina Stanislavovna | 84 |
| 3 | 2017 | Compositions for Eduard Markaich's orchestra | Cherkasova Svetlana | 83 |
| 6 | 2018 | Music in aspect oF semiotics translation: verbal and nonverbal | Nevskaya Polina V. | 83 |
| 7 | 2019 | The symphony by the name of "Siberia" | Mozeler Alexander | 83 |
| 4 | 2017 | East sources of creativity of A. Baksha | Putecheva O. | 82 |
| 7 | 2019 | The ark was constructed by the fan, professionals constructed "Titanic" | Capri Note | 82 |
| 8 | 2019 | Modeling a composer approach to work as a method of pianist's creative work | Okisheva Anna A., Prikhodovskaya Ekaterina A. | 81 |
| 6 | 2018 | Romansiada's voices | Barito Glorio | 80 |
| 1 | 2016 | Advice to young musicians | Maksimov Vitafy V. | 79 |
| 6 | 2018 | And opera again! | Volkova Polina S. | 79 |
| 8 | 2019 | Oleg Ovanesovich Meremkulov | Nayko Natalya M. | 79 |
| 8 | 2019 | Boris Alexandrovich Shindin | Prikhodovskaya Ekaterina A., Vybyvanets Eleonora Vasilievna, Mozgot Svetlana A., Polozova Irina V., Volkova Polina S., Ovsyankina Galina P., Kolyadenko Nina P. | 77 |
| 8 | 2019 | Interpretation of the sonata form in the first part of Piano Sonata No. 4 a-moll of Anton Rubenstein | Krivolapova Veronika A., Kirienko Anna D. | 77 |
| 3 | 2017 | About work of the instrumentalist-teacher | Maximov V. | 76 |
| 8 | 2019 | On the pages of the International Competition | Capri Nota | 75 |
| 8 | 2019 | Tutor's accompany at different stages of music education | Stepanova Ekaterina I., Tkachenko Olga N. | 74 |
| 7 | 2019 | Is not present death for me." | Volkova Polina S., Mozgot Svetlana A. | 73 |
| 8 | 2019 | Funny sentinel | Barito Glorio | 73 |
| 1 | 2016 | Symphonic and operatic performance in Tomsk in the XIX century | Tkalenko Yaroslav V., Vavilov Stanislav P. | 71 |
| 9 | 2020 | S.M. Slonimsky: symphony poem "Petersburg visions" | Kanaeva Anastasia Andreevna, Andreeva Vera Dmitrievna | 70 |
| 9 | 2020 | Introduction to personification of the image in related arts in the process of its development by a vocalist ( the image of rita from the opera of K. Molchanov taken as an example) | Vvedenskaya Tatyana Georgievna | 69 |
| 9 | 2020 | Temporary and eternal: composer's life | Dyuzhina Olga Aleksandrovna | 69 |
| 10 | 2020 | | | 69 |
| 7 | 2019 | | | 68 |
| 8 | 2019 | | Prikhodovskaya Ekaterina A. | 68 |
| 7 | 2019 | | | 66 |
| 9 | 2020 | Complex development of an opera singer in the conservatoire | Ershukova Tatyana Vladimirovna | 66 |
| 10 | 2020 | Oratorial performing in Tomsk and V. Sotnikov's activity (1939-2020) | Vavilov Stanislav, Tkalenko Yaroslav | 66 |
| 9 | 2020 | Tembronic mounting-masking of sounds in piano facture: synesthetic aspect | Budnikov Vladimir Viktorovich | 63 |
| 10 | 2020 | «Pieces for kids» («Pieces pour enfants») by E. Denisov | Krivopalova Veronika, Kharlamova Olga | 63 |
| 7 | 2019 | Who needs modern composers? | Ponomaryov Vladimir V. | 62 |
| 8 | 2019 | | Prikhodovskaya Ekaterina A. | 62 |
| 8 | 2019 | Tutoring in training of a student pianist | Maximov Vitaly V. | 62 |
| 8 | 2019 | Pablo Picasso, Igor Stravinsky and Georges Braque: dialogue of the dedicated | Volkova Polina S. | 60 |
| 4 | 2017 | From the editor | Prikhodovskaya E. | 58 |
| 9 | 2020 | The problem of female narrative in the german biographic radiospectacle | Villeert Elizaveta Evgenievna | 55 |
| 9 | 2020 | Legends of our musical world: valery fedorets and olga mazepina | Capri Nota | 54 |
| 9 | 2020 | | | 53 |
| 9 | 2020 | Formation of active, independent, creative thinking in students in musical pedagogy | Maksimov Vitaly Vasilyevich | 53 |
| 10 | 2020 | My friends are leaving | Drobyshevsky Dmitry | 52 |
| 10 | 2020 | | | 48 |
| 10 | 2020 | 24 preludes for piano by K. Lakin | Mazepina Olga | 41 |
| 10 | 2020 | Forming a composite network using a computer | Shaplok (Kaia Saariaho) Galina | 41 |
| 10 | 2020 | The repetition as a way of forming in a musical piece | Miroshnikov Nikita, Prikhodovskaya Ekaterina | 41 |
| 9 | 2020 | | | 37 |
| 11 | 2021 | Was the commander able to dance tango? (Essay not for fans of Astor Piazzolla) | Vavilov Stanislav | 36 |
