| 10 | 2020 | There is no such thing as an oblivion of the feat | Burtseva Anna, Shakhtarin Georgy, Geil Ekaterina, Arkhipova Yulia, Ivanova Olga, Prihodovsky Catherine, Gortseva Svetlana, Kotylev Dmitry, Lakin Alexander, Cherepova Svetlana, Mazepina Olga, Shalkova Ksenia, Bulgakova Lyudmila, Rybakova Zhanna | 35 |
| 11 | 2021 | Leonid Desyatnikov. Chamber opera "Poor Liza" (History of creation. Libretto and literary source) | Bogatyreva Elena, Aksinenko Diana | 33 |
| 10 | 2020 | Vitaly Maximov and Edison Denisov | Vavilov Stanislav | 29 |
| 12 | 2021 | Edison Denisov opera «Ivan-Soldier» | Krivopalova Veronika, Kirienko Anna | 27 |
| 11 | 2021 | The birth of a creative community in Altai | Plyaskina Elena Valerianovna | 24 |
| 12 | 2021 | ANTON SHAROEV: memories about Maestro Sharoev | Blazhevich Maria | 24 |
| 11 | 2021 | Well-tempered clavier" by J.S. Bach: semantic foundations of the unity | Svarovskaya Violetta | 23 |
| 11 | 2021 | | | 22 |
| 11 | 2021 | The reasonableness of the deletion of three solo scenes (were removed by E. Napravnik) from the premiere of opera "The snow maiden" by Rimsky-Korsakov | Stepanova Ekaterina, Miroshnikov Nikita | 21 |
| 11 | 2021 | Secrets of a musical dynasty (family tree of musicians) | Clemens Ekaterina | 21 |
| 11 | 2021 | Psychological environment at the class as a factor of the student's success | Malinovskaya Ekaterina | 20 |
| 12 | 2021 | Queen of spades by Pushkin in the opera, operette | Miroshnikov Nikita, Yan Yu | 20 |
| 12 | 2021 | On the realization of noanoa and pres, two pieces for solo instruments and ircam signal processing workstation | Shaplok Galina | 20 |
| 11 | 2021 | | | 19 |
| 12 | 2021 | | | 19 |
| 12 | 2021 | «Spirit of the russian culture» in the contemporary musical arts | Kotylev Dmitry | 19 |
| 13 | 2022 | The influence of surrealist music on the common development of sound production and composing (Following the International Symposium) | Miroshnikov Nikita | 19 |
| 12 | 2021 | Mikhail Karpychev | Capri Nota | 18 |
| 12 | 2021 | Harmony in a musical work - open system with limitless potential | Prikhodovskaya Ekaterina, Okisheva Anna | 18 |
| 12 | 2021 | History and evolution of the musical genre of the piano concert | Borodikhina Polina | 18 |
| 12 | 2021 | | | 17 |
| 12 | 2021 | Air flow dynamics as a process of musical sound-extraction | Klimenko Vyacheslav, Burtseva Anna | 17 |
| 13 | 2022 | | | 17 |
| 13 | 2022 | Combination of verbal and non-verbal in vocal music (Following the International Symposium) | Prikhodovskaya Ekaterina | 17 |
| 13 | 2022 | An integrated approach to the performance of the workin the process of the pianist's creative activity (Following the International Symposium) | Okisheva Anna | 17 |
| 13 | 2022 | Implementation of a fairy tale in music | Lepp Ekaterina | 16 |
| 13 | 2022 | Music by edison denisov for radio performances | Krivopalova Veronika | 16 |
| 13 | 2022 | Choral music as one of the options for the realization of emotional resonance | Stepanova Ekaterina | 16 |
| 13 | 2022 | | | 15 |
| 13 | 2022 | Psychological motivation as the basis for constructing an operatic image by a singer (Following the International Symposium) | Malinovskaya Ekaterina | 15 |
| 13 | 2022 | Imaginational and emotional series of a work as one of the most important tasks of a pianist's creative activity | Okisheva Anna | 15 |
| 13 | 2022 | Choosing a repertoire at different stages of the singer's artistic activity | Miroshnikov Nikita | 15 |
| 13 | 2022 | Valery Kalistratov «The cry of the bride - orphans at the grave of parents» from the cycle "Five wedding songs" for women's choir | Krivopalova Veronika, Filyushina Maria | 15 |
| 13 | 2022 | Ahead of contemporaries? reflections on the organization of chromatic and form in the trio (1925) by Efim Golyshev | Uhlig Jakob | 14 |
| 13 | 2022 | An essay on the russian-german scientific online dialogue forum for students and postgraduates "memory of acoustic culture". sound, music and cognition processes in the context of the avant-garde in Russia and Germany in the "long" 20th century, november 4-5, 2021 (following the international sympos | Villeert Elizaveta | 13 |
| 13 | 2022 | Aerodynamic patterns of sound functioning in vocal music | Klimenko Vyacheslav | 13 |
| 13 | 2022 | Ancient chants in modern church practicechurches of the barnaul orthodox diocese | Plyaskina Elena | 13 |
| 13 | 2022 | In our land | Kapri Nota | 11 |
| 19 | 2025 | От редактора | Prikhodovskaya Ekaterina | 6 |
| 19 | 2025 | The concept of a soundscape: on the issue of designing an acoustic space | Stolbova Polina | 6 |
| 19 | 2025 | "Variations on finding a home" by L.A. Desyatnikov for cello and piano | Bogatyreva Elena, Moskaleva Elizaveta | 6 |
| 19 | 2025 | Steampunk in music: from victorian aesthetics to sound experiment | Stolbova Polina | 5 |
| 19 | 2025 | «...My frosty land, you northern paradise!..»: music by Tomsk composers sounds | Prikhodovskaya Ekaterina, Kotylev Dmitry | 5 |
| 19 | 2025 | From the chief editor | Prikhodovskaya Ekaterina | 4 |
| 19 | 2025 | V All-Russian competition of academic choir conductors named after Vitali Vyacheslavovich Sotnikov | Stepanova Ekaterina, Tkachenko Olga, Kazantsev Mikhail | 4 |
| 19 | 2025 | Individual facts of cultural history as elements of its larger-scale trends | Prikhodovskaya Ekaterina | 4 |
| 19 | 2025 | The interdisciplinary nature of emotion in a musical work | Okisheva Anna | 4 |
