COMPARATIVE STUDIES
7–30
Golovacheva Irina V., Zhuravlev Mikhail Ye. The doppelgänger topos through a quantitative comparative lens // Imagologiya i komparativistika – Imagology and Comparative Studies. 2025. № 23. P. 7–30. DOI: 10.17223/24099554/23/1
31–51
Grigorovskaya Anastasya V. The Russian-European utopian dialogue: From folk traditions to 19th-century modernization practices // Imagologiya i komparativistika – Imagology and Comparative Studies. 2025. № 23. P. 31–51. DOI: 10.17223/24099554/23/2
52–78
Volkov Ivan O. “Dorpat has a big role in my destiny...”: Vasily Zhukovsky in the Dorpat academic and literary coterie (1815–1819) // Imagologiya i komparativistika – Imagology and Comparative Studies. 2025. № 23. P. 52–78. DOI: 10.17223/24099554/23/3
79–96
Romano Alessandro Karl Bryullov and Italian women opera singers: On the portrait of Giuseppina Ronzi de Begnis // Imagologiya i komparativistika – Imagology and Comparative Studies. 2025. № 23. P. 79–96. DOI: 10.17223/24099554/23/4
97–110
Hambardzumyan Naira V. A comparative-typological analysis of female characters in Srpouhi Dussap’s Mayda // Imagologiya i komparativistika – Imagology and Comparative Studies. 2025. № 23. P. 97–110. DOI: 10.17223/24099554/23/5
111–121
Genina Ninel E. Studies of China in Grigory Potanin’s personal library // Imagologiya i komparativistika – Imagology and Comparative Studies. 2025. № 23. P. 111–121. DOI: 10.17223/24099554/23/6
122–145
Kaianidi Leonid G. The Nietzschean stratum in Vyacheslav Ivanov’s tragedy Prometheus // Imagologiya i komparativistika – Imagology and Comparative Studies. 2025. № 23. P. 122–145. DOI: 10.17223/24099554/23/7
146–157
Tan Yuyli Yu Hua’s writing in the context of Fyodor Dostoevsky’s influence on Chinese literature // Imagologiya i komparativistika – Imagology and Comparative Studies. 2025. № 23. P. 146–157. DOI: 10.17223/24099554/23/8
158–177
Shulyatyeva Dina V. Let the paths converge: “Сonverging paths” as a narrative form in Paul Auster’s Sunset Park (2010) and Pedro Almodóvar’s Pain and Glory (2019) // Imagologiya i komparativistika – Imagology and Comparative Studies. 2025. № 23. P. 158–177. DOI: 10.17223/24099554/23/9
178–202
Alenkina Tatiana B. Science play in the verbatim theatre: God and Newton’s religious worldview in Craig Baxter’s Play Let Newton Be! (2011) // Imagologiya i komparativistika – Imagology and Comparative Studies. 2025. № 23. P. 178–202. DOI: 10.17223/24099554/23/10
IMAGOLOGY
203–234
Kiselev Vitaly S. “The miracle you have performed is more amazing than the miracle of Orpheus”: The literary reputation of Vasily Zhukovsky in 1813–1820 // Imagologiya i komparativistika – Imagology and Comparative Studies. 2025. № 23. P. 203–234. DOI: 10.17223/24099554/23/11
235–259
Nadtochiy Ekaterina E. Yermak in the visual culture of the second half of the 19th century: From the Millennium of Russia monument to Vasily Surikov’s painting The Conquest of Siberia by Yermak // Imagologiya i komparativistika – Imagology and Comparative Studies. 2025. № 23. P. 235–259. DOI: 10.17223/24099554/23/12
260–298
Bazhenova Yana V. On the history of commemorative representations of the plot about the conquest of Siberia: The icebreaker Ermak as a rhetorical and imagological phenomenon // Imagologiya i komparativistika – Imagology and Comparative Studies. 2025. № 23. P. 260–298. DOI: 10.17223/24099554/23/13
299–311
Zinnatullina Zulfia R., Khabibullina Lilia F. The function of national others’ images in Josephine Tey’s novel Miss Pym Disposes // Imagologiya i komparativistika – Imagology and Comparative Studies. 2025. № 23. P. 299–311. DOI: 10.17223/24099554/23/14
312–329
Krasilnikov Roman L. Life as an adventure: Perception of other cultures in the autobiographical prose by Vera Andreeva // Imagologiya i komparativistika – Imagology and Comparative Studies. 2025. № 23. P. 312–329. DOI: 10.17223/24099554/23/15
330–357
Rogaeva Irina E., Shevelev Dmitry N. “The basic ideas will be established, and uprooting them will not be easy”: Images and symbols of the Russian Civil War (1917–1922) in the past and present // Imagologiya i komparativistika – Imagology and Comparative Studies. 2025. № 23. P. 330–357. DOI: 10.17223/24099554/23/16
358–379
Boltunova Ekaterina M., Laptev Anton K. Handwriting recognition and data mining: Possibilities of neural network technologies (based on Admiral Fyodor Lütke’s Diary) // Imagologiya i komparativistika – Imagology and Comparative Studies. 2025. № 23. P. 358–379. DOI: 10.17223/24099554/23/17
REVIEWS
380–389
Penskaya Elena N. Machine learning and information representation: New possibilities for digital archives (Book review: Nottorp, P. and Raymond, M. (eds) (2025) Artificial Intelligence, Archives and Manuscripts. New Relationships between the Virtual Archive and Its Referent. Edinburgh: University of Edinburgh) // Imagologiya i komparativistika – Imagology and Comparative Studies. 2025. № 23. P. 380–389. DOI: 10.17223/24099554/23/18

Imagologiya i komparativistika – Imagology and Comparative Studies. 2025. № 23.
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