COMPARATIVE STUDIES
5–22
Di Filippo Marina Documents About the Russian-Neapolitan Relations in the State Archives of Naples: An Annotated List. Part 2 // Imagologiya i komparativistika – Imagology and Comparative Studies. 2019. № 12. P. 5–22. DOI: 10.17223/24099554/12/1
23–37
Berezkina Svetlana V. Correspondence Between V.A. Zhukovsky and A.A. Voeykova During Her Foreign Trip (1827-1829) // Imagologiya i komparativistika – Imagology and Comparative Studies. 2019. № 12. P. 23–37. DOI: 10.17223/24099554/12/2
38–66
Nikonova Natalia Ye. Correspondence Between V.A. Zhukovsky and F. Von Muller as a Monument to the Literature and Culture of Romanticism // Imagologiya i komparativistika – Imagology and Comparative Studies. 2019. № 12. P. 38–66. DOI: 10.17223/24099554/12/3
67–89
Zhilyakova Emma M. The Image of the “Wild Flower” in the Aesthetics and Early Works by F.M. Dostoevsky (To the Problem: F.M. Dostoevsky and Honore De Balzac) // Imagologiya i komparativistika – Imagology and Comparative Studies. 2019. № 12. P. 67–89. DOI: 10.17223/24099554/12/4
IMAGOLOGY
90–112
Khomuk Nikolay V. The Baroque Strategy of Representing the “Caucasian Text” in the Novel by V.T. Narezhny Black Year, or The Mountain Princes // Imagologiya i komparativistika – Imagology and Comparative Studies. 2019. № 12. P. 90–112. DOI: 10.17223/24099554/12/5
113–141
Safronova Elena Yu. The Germany's Image in F.M. Dostoevsky's Siberian Works // Imagologiya i komparativistika – Imagology and Comparative Studies. 2019. № 12. P. 113–141. DOI: 10.17223/24099554/12/6
142–157
Novikova Elena G. The “French” Theme in F.M. Dostoevsky's The Idiot // Imagologiya i komparativistika – Imagology and Comparative Studies. 2019. № 12. P. 142–157. DOI: 10.17223/24099554/12/7
158–180
Penskaya Elena N. Khlebnikov and Sukhovo-Kobylin. On the Problem of the Textology of Russian Cosmism // Imagologiya i komparativistika – Imagology and Comparative Studies. 2019. № 12. P. 158–180. DOI: 10.17223/24099554/12/8
181–207
Koroleva Svetlana B., Nikola Marina I. The Concept of Holy Russia in H.G. Wells's Novel Joan and Peter: A Dialogue with Russia About National Ideas, Holiness, and Genius // Imagologiya i komparativistika – Imagology and Comparative Studies. 2019. № 12. P. 181–207. DOI: 10.17223/24099554/12/9
208–221
Kovalchuk Yulia A. The Hetero-Image of the Democratic People's Republic of Korea in the Contemporary Prose of the Republic of Korea: Imagological Approach // Imagologiya i komparativistika – Imagology and Comparative Studies. 2019. № 12. P. 208–221. DOI: 10.17223/24099554/12/10
222–236
Kondratyeva Olga N. The Stereotypical Media Image of the Siberian Region (Based on the Materials of the Russian Media of the 21st Century) // Imagologiya i komparativistika – Imagology and Comparative Studies. 2019. № 12. P. 222–236. DOI: 10.17223/24099554/12/11
REVIEWS
237–244
Sharov Konstantin S. Imagology on the Scale of Civilisations, or the Transformation of the Concepts ‘We' and ‘They' in the Globalising World (Book Review: Sassin, W. et al. (2018) Evolutionary Environments. Homo Sapiens - an Endangered Species? Innsbruck: Studia Universitatsverlag) // Imagologiya i komparativistika – Imagology and Comparative Studies. 2019. № 12. P. 237–244. DOI: 10.17223/24099554/12/12
Imagologiya i komparativistika – Imagology and Comparative Studies. 2019. № 12.
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