COMPARATIVE STUDIES
7–33
Polilova Vera S. The poetics of the carnation: The word and the image in Russian poetry from Trediakovsky to Brodsky (in the context of European tradition). Part 2 // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 18. P. 7–33. DOI: 10.17223/24099554/18/1
34–58
Berezkina Svetlana V. Translated libretto of Joseph Haydn’s oratorio The Seasons -an unknown work by Vasily Zhukovsky // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 18. P. 34–58. DOI: 10.17223/24099554/18/2
59–71
Belikova Ekaterina V. Pechorin and “mirages of the West” // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 18. P. 59–71. DOI: 10.17223/24099554/18/3
72–93
Lipke Stephan M. The protagonist and his country: A comparative reading of Fyodor Dostoevsky’s The Idiot and Jose Rizal’s Noli me tangere // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 18. P. 72–93. DOI: 10.17223/24099554/18/4
94–117
Mashtakova Liubov V., Sozina Elena K. Poetics of theophany in Kormchiye zvyozdy (1902-1903) and Prozrachnost’ (1904) by Vyacheslav Ivanov: Transformations of Eternal Feminine images // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 18. P. 94–117. DOI: 10.17223/24099554/18/5
118–136
Shuneyko Alexander A., Chibisova Olga V. Images of the novel Peterburg through the prism of Andrei Bely’s esoteric search // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 18. P. 118–136. DOI: 10.17223/24099554/18/6
137–153
Sharapenkova Natalia G. Moscow by Andrei Bely in the dialogue with Austrian literature of the 20th century (a case study of Gustav Meyrink’s The Golem) // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 18. P. 137–153. DOI: 10.17223/24099554/18/7
154–167
Afandiyeva Nazrin R. Turandot by Carlo Gozzi in the Russian theatre reception of the 1910-1920s // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 18. P. 154–167. DOI: 10.17223/24099554/18/8
168–190
Maroshi Valery V., Horvath Geza Raskolnikov’s crime and repentance in Russian and Hungarian literature of the second half of the twentieth century // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 18. P. 168–190. DOI: 10.17223/24099554/18/9
191–210
Norets Maxim V., Elkan Olga B. Literary and musical synthesis in modern foreign literature: Works of Johann Sebastian Bach as urtext // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 18. P. 191–210. DOI: 10.17223/24099554/18/10
IMAGOLOGY
211–244
Zhdanov Sergey S. The imaginal-geographic space of East Prussia (based on Andrey Bolotov’s memoirs) // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 18. P. 211–244. DOI: 10.17223/24099554/18/11
245–268
Kravchenko Oksana A., Sadeghi Sahlabad Zeinab Khosrow Mirza: Historical figure and artistic image. On the cultural originality of Russian-Persian ties // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 18. P. 245–268. DOI: 10.17223/24099554/18/12
269–286
Goncharova Anastasia S., Chernyshov Yury G. The “Russian foreigner” Leo Tolstoy and the “Russian European” Ivan Turgenev: Their perception of the French society // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 18. P. 269–286. DOI: 10.17223/24099554/18/13
287–304
Trykov Valeriy P. Travel notes Russia and Russians by Victor Tissot in the context of Russian-French relations at the turn of the 20th century // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 18. P. 287–304. DOI: 10.17223/24099554/18/14
305–322
Shatunov Yuri A. Muslims and the Muslim world in the works of Anton Chekhov // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 18. P. 305–322. DOI: 10.17223/24099554/18/15
323–345
Bogomolov Igor K. A “sick man” on a sinking ship: The image of Turkey in the Russian press during the First World War // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 18. P. 323–345. DOI: 10.17223/24099554/18/16
346–364
Shilova Natalya L. North as West: The literary image of Karelia and the late Soviet outsideness practice // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 18. P. 346–364. DOI: 10.17223/24099554/18/17
365–379
Kryukova Olga S. The art space in Eugene Vodolazkin’s novel Brisbane: The imagological aspect // Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 18. P. 365–379. DOI: 10.17223/24099554/18/18

Imagologiya i komparativistika – Imagology and Comparative Studies. 2022. № 18.
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