| 4 | 2017 | Interdisciplinary analysis of the text: the recorded plan "signs" (F. Poulenc A human voice) | Prikhodovskaya E. | 1148 |
| 2 | 2016 | Performing analysis Sonata for violin and piano A-dur Cesar Franc | Kostina Irina Yu. | 293 |
| 5 | 2018 | Sergey Slonimsky. Piano suite "Three graces" (1964) | Krivopalova Veronika A., Kharlamova Olga V. | 290 |
| 7 | 2019 | About features of the vocal speech in the russian chamber music (on the example of M.I. Glinka's romances) | Blakhovsky Andrey V. | 215 |
| 4 | 2017 | Aerodynamic nature of a vocal sound | Klimenko V. | 203 |
| 6 | 2018 | Stage excitement: reasons and overcoming | Ryzhova Ekaterina S. | 202 |
| 5 | 2018 | Figurative row from the child's life: "The children's album" of P. I. Tchaikovsky | Prikhodovskaya Ekaterina A., Okisheva Anna A. | 184 |
| 1 | 2016 | Messiaen "Theme and Variations" for violin and piano | Slubsky Kira 0., Andreeva Vera D. | 175 |
| 5 | 2018 | S. Slonimsky. Songs on M. Tsvetaeva's verses. Genre and style solution of the vocal cycle | Aksinenko Diana V., Bogatyryova Elena A. | 174 |
| 4 | 2017 | Punks and punk rock: who they are and what is it? | Ponomaryov V. | 161 |
| 5 | 2018 | Music world of Ostap Bender (the essay for the inattentive reader, but for the attentive musician) | Vavilov Stanislav P. | 160 |
| 1 | 2016 | Intertextuality in Variations on the Theme of Handel Edison Denisov | Kardash Anna B., Krivopalova Veronica A. | 156 |
| 3 | 2017 | Buxtehude's passacaglia: music, number, mysticism | Blazhevich M. | 152 |
| 5 | 2018 | About experience of musical and drama statement on the scene of the Krasnodar musical theatre | Vybyvanets Eleonora V. | 147 |
| 2 | 2016 | I.F. Stravinsky. Opera and a symphonic poem on the story of G.Kh. Andersen «Nightingale» | Nikitina Xenia. S., Bogatyreva Elena. A . | 145 |
| 9 | 2020 | About the work of accompanist with a vocalist: stylistic features of performance and overcoming of intonation difficulties in the belcanto repertoire | Petrova Valeria Aleksandrovna, Sotnikova Tatyana Vladimirovna | 139 |
| 1 | 2016 | Symbols of the university Tomsk. History of hymns | Shakhtarin Georgy A. | 131 |
| 6 | 2018 | S.M. Slonimsky. Concerto for alto and chamber orchestra “Tragicomedy” | Andreeva Vera D., Kanaeva Anastasia A. | 131 |
| 5 | 2018 | Numerical symbolics in music of the german baroque: myth or reality? | Blazhevich Maria N. | 124 |
| 5 | 2018 | TO the problem of scenic excitement | Maximov Vitaly V. | 124 |
| 3 | 2017 | Destiny of the repressed musicians in Siberia | Belonosova I. | 121 |
| 5 | 2018 | Judgment of the art plan of work in the course of its individual analysis | Gorkunova Ekaterina R. | 120 |
| 7 | 2019 | The tour of "The slavic chapel" in Tomsk (the XIX-XX centuries) | Kiselyova Irina V., Vavilov Stanislav P. | 117 |
| 1 | 2016 | Pages of the musical life of Tomsk (60-90 years of the twentieth century) | Sotnikov Vitafy V. | 115 |
| 4 | 2017 | Psychological motivation as basis of creation of an opera image by the singer | Malinovskaya E. | 115 |
| 10 | 2020 | Determining the timbre of a singing voice: classification of voices according to the «fach» system | Fedotova Sofya | 115 |
| 3 | 2017 | Reasonings on destiny of genres in the Russian music and works of the Siberian composers | Kozyreva Galina | 111 |
| 4 | 2017 | Musical structures and bible symbolics in Andreas Werkmejster's treatises | Blazhevich M. | 110 |
| 5 | 2018 | Reading music at sight as strong incentive of all-musical development of the performing musician | Maximov Vitaly V. | 109 |
| 1 | 2016 | Vocal poems by Claude Debussy and Maurice Ravel "Soupir" by Mall arm e | Krivopalova Veronica A., Nikitina Xenia S. | 108 |
| 2 | 2016 | Edison Denisov. Choral Variations for Trombone and Piano | Shcherbakova Anna V., Krivopalova Veronica A. | 106 |
| 6 | 2018 | From the editor | Prikhodovskaya Ekaterina A. | 105 |
| 6 | 2018 | All camp sleeps | Kapri Nota | 105 |
| 3 | 2017 | Composition of the monoopera: from a plan to fixing of the text | Prikhodovskaya E. | 102 |
| 6 | 2018 | Traditional theatre of Indonesia as influenced by indian culture | Antipova Victoria Yu., Kartashova Tatyana V. | 102 |
| 7 | 2019 | The principles of the developing training in musical pedagogics | Maximov Vitaly V. | 101 |
| 6 | 2018 | From the editor | Prikhodovskaya Ekaterina A. | 100 |
| 6 | 2018 | Two virtuosos: Leonid Maximov and Pavel Vinogradov | Stanislav Stanislav P. | 97 |
| 6 | 2018 | Outline learning of the piece of music | Maximov Vitaly V. | 94 |
| 1 | 2016 | Authentic text: major and minor aspects Interpretation | Shinkevich Pavel G. | 93 |
| 6 | 2018 | Educational activity and philharmonic society: emotional and suggestive effects | Shteinmiller Evgeny N. | 93 |
| 4 | 2017 | Dialog of consciousnesses in aspect of philosophy of art: verbal and nonverbal | Volkova P. | 91 |
| 3 | 2017 | From the editor creative roads | Prikhodovskaya E. A. | 89 |
| 7 | 2019 | History of one delusion: Paul Klee's "Senecio" | Kochubey Igor V., Volkova Polina S. | 89 |
| 2 | 2016 | Music life of Tomsk University from the foundation until the second half of the 20th century | Guseva Elena Yu., Kartashova Olga V. | 87 |
| 8 | 2019 | Problems of interpretation of jazz style on the example of prelude no. 2 from the cycle "24 preludes for pianos" or. 58 Nicholas Kapustin | Ionkina Daria N. | 86 |
| 6 | 2018 | Word to Krasnoyarsk colleagues! | Kapri Nota | 84 |
| 7 | 2019 | Interrelation of composer creativity and performing practice | Okisheva Anna A., Prikhodovskaya Ekaterina A. | 84 |
| 8 | 2019 | Figuratively emotional platform of the work of art | Prikhodovskaya Ekaterina A., Merkulov Sergey A. | 84 |
| 8 | 2019 | Music and the road | Blazhevich Maria | 84 |
