Tomsk State University Journal of Cultural Studies and Art History. 2016. № 3 (23).

CULTUROLOGY, THE THEORY AND CULTURAL HISTORY

5–14

Babich Vladimir N., Vityuk Ekaterina Y. The question the formation of a systematic approach at conducting research in architecture in the framework of the paradigm postnonclassical // Tomsk State University Journal of Cultural Studies and Art History. 2016. № 3 (23). P. 5–14. DOI: 10.17223/22220836/23/1

15–23

Boyko Olga A. Archetype of «shadow» in the art of XX century // Tomsk State University Journal of Cultural Studies and Art History. 2016. № 3 (23). P. 15–23. DOI: 10.17223/22220836/23/2

24–32

Vavilov Stanislav P., Tkalenko Yaroslav V. The Musical-enlightenment activity of professor N.A. Aleksandrov (1858-1936) in Tomsk // Tomsk State University Journal of Cultural Studies and Art History. 2016. № 3 (23). P. 24–32. DOI: 10.17223/22220836/23/3

33–39

Dyukin Sergey G., Samoilova Irina V. About creation the image of generalized Other in the virtual text // Tomsk State University Journal of Cultural Studies and Art History. 2016. № 3 (23). P. 33–39. DOI: 10.17223/22220836/23/4

40–54

Zabulionite Audra-Kristina I., Vinogradova Elena V. Miracle as a meaningful form of medieval theater // Tomsk State University Journal of Cultural Studies and Art History. 2016. № 3 (23). P. 40–54. DOI: 10.17223/22220836/23/5

55–63

Lazutina Tatjana V., Melnikov Pavel R. Specificity of the celtic world: the symbolism as a principle of unferstanding the world // Tomsk State University Journal of Cultural Studies and Art History. 2016. № 3 (23). P. 55–63. DOI: 10.17223/22220836/23/6

64–72

Malikov Evgeniy V. Hermeneutic approach to the 'Swan Lake' ballet, or why Siegfried must die within the mythopoetic landscape of this work // Tomsk State University Journal of Cultural Studies and Art History. 2016. № 3 (23). P. 64–72. DOI: 10.17223/22220836/23/7

73–88

Morozov Evgeniy М. Russian Orthodox Church role in sociocultural transformation of Russian Federation // Tomsk State University Journal of Cultural Studies and Art History. 2016. № 3 (23). P. 73–88. DOI: 10.17223/22220836/23/8

89–99

Morozova Anna V. Russian Scientists in History of Art during the second part of the XIX- th century about the Spanish Painting of the XVI-XVII-th centuries // Tomsk State University Journal of Cultural Studies and Art History. 2016. № 3 (23). P. 89–99. DOI: 10.17223/22220836/23/9

100–105

Pronkina Anna V. Cosmetic practice of decorating the face in the conditions of modern mass culture: the concretization of the conceptual apparatus of research // Tomsk State University Journal of Cultural Studies and Art History. 2016. № 3 (23). P. 100–105. DOI: 10.17223/22220836/23/10

ART HISTORY

106–13

Arkhipova Margarita V. About nature music rhythmic gestures. The problem // Tomsk State University Journal of Cultural Studies and Art History. 2016. № 3 (23). P. 106–13. DOI: 10.17223/22220836/23/11

114–121

Glazkova Elena A. Infotainment in screen arts: entertaining reality or an anthropological experiment? // Tomsk State University Journal of Cultural Studies and Art History. 2016. № 3 (23). P. 114–121. DOI: 10.17223/22220836/23/12

122–139

Katukhina Anna V. Observations laws compositional work of the artist with the upper register // Tomsk State University Journal of Cultural Studies and Art History. 2016. № 3 (23). P. 122–139. DOI: 10.17223/22220836/23/13

140–149

Ovchinnikova Raisa Yu. Ratio of the visual and communication elements in graphic design // Tomsk State University Journal of Cultural Studies and Art History. 2016. № 3 (23). P. 140–149. DOI: 10.17223/22220836/23/14

150–156

Ponkina Antonina M. Methodological principles of David Leybman and their role in the evolution of playing the saxophone // Tomsk State University Journal of Cultural Studies and Art History. 2016. № 3 (23). P. 150–156. DOI: 10.17223/22220836/23/15

157–165

Chepelenko Ksenya O. The composer's word as author's gesture // Tomsk State University Journal of Cultural Studies and Art History. 2016. № 3 (23). P. 157–165. DOI: 10.17223/22220836/23/16

166–171

Sharabarin Mikhail I. Innovative early manifestations meter and rhythm origin the music for mixed ensembles Russian folk instruments (period 1960-2010) // Tomsk State University Journal of Cultural Studies and Art History. 2016. № 3 (23). P. 166–171. DOI: 10.17223/22220836/23/17

CULTURAL HERITAGE

172–179

Dyrtyk-ool Maya O. Pioneers as a sociocultural phenomenon in the Tuvan society (from the funds of the National museum of the Republic of Tuva) // Tomsk State University Journal of Cultural Studies and Art History. 2016. № 3 (23). P. 172–179. DOI: 10.17223/22220836/23/18

180–186

Morozova Elena V. Semantic matter of "museum policy" as scientific notion // Tomsk State University Journal of Cultural Studies and Art History. 2016. № 3 (23). P. 180–186. DOI: 10.17223/22220836/23/19

187–197

Pronina Svetlana A., Kimeeva Tatiana I. Methods of stock activity in the ethnographic open-air museums // Tomsk State University Journal of Cultural Studies and Art History. 2016. № 3 (23). P. 187–197. DOI: 10.17223/22220836/23/20

198–203

Tikhonov Vladimir V. To the question of the development of the skansenological way in museology // Tomsk State University Journal of Cultural Studies and Art History. 2016. № 3 (23). P. 198–203. DOI: 10.17223/22220836/23/21

THE ROLE OF LIBRARIES IN CULTURE IN HISTORY AND MODERN TIMES

204–211

Artemyeva Elena B. Libraries of scientific societies of Siberia and the Far East in the XIX century and their role in book culture development // Tomsk State University Journal of Cultural Studies and Art History. 2016. № 3 (23). P. 204–211. DOI: 10.17223/22220836/23/22

212–219

Zheravina Olga A. Mage of maestro Salinas in a series of portraits of outstanding spaniards (from Stroganov's book collection of scientific library of tomsk state univerity) // Tomsk State University Journal of Cultural Studies and Art History. 2016. № 3 (23). P. 212–219. DOI: 10.17223/22220836/23/23